Radical Artists & Art Students versus Management & Bureaucracy during the 1970s

This paper is an account of the impact of Conceptual art and art theory upon art students, studio tutors and managers during the 1970s in certain British art schools. The impact on students resulted in a shift away from the making of physical artefacts to the production of writings and magazines. It also problematised ‘the visual’ and encouraged critiques of art and the art education system. Some tutors responsible for art theory courses were dismissed and some students became politicised and attacked those in charge of art schools and polytechnics. Managers disciplined the students and, in some instances, failed and expelled them. William Furlong and Bruce McLean were two London based artists who responded to the ever-increasing bureaucracy of art colleges by mounting a parodic performance.