البَدِيعُ بين الاَداءِ النَّقديِّ والتَّشكيلِ النَّصِّيِّ فِي كتابِ نقدِ الشِّعرِ لقُدامةَ بنِ جعفر

This research aims to choose the efficiency of Al- Bade'e in the critical field at Qudama bin jaafar ( 337) in his book [Naked Al Sha'ar] . Many researchers accused him that he is the first formalist rhetorical critic who help to heel to formalism and tinctorial criticism at the ancient Arabic criticism . He defined the elements of Al Badeeism in an accurate logical way. The disorder in understanding Al Badee principle at Qudama is because he didn't discriminate between Al-Bade'e as Critical method which depend on the stylish dimension when he compares the literary texts and Al-Bade'e as a formal ornamentation value. Qudama aimed of this defining two matters: First, Al Badee has a function duplicity , where he contributes in the critical performance and the creative formalism of the literary text. By this, he didn't aim to establish one of the Arabic clarity arts. However, some scholars understood that from him. He tried to get the poetry places at ancient and modern texts despite their enmity. He make Al-Bade'e as an important part of his poetics theory. Then, one of the first tasks of this research is to verify the hypothesis which is Did Bade'e of Qudama bin Jafar help the intensity of formal ornamentation and the artificiality in the Arabic literary heritage ? Did he take a rhetorical formalism side by criticism? Or, Could he support the criticism by a flexible and academic subject which is capable to the critical deliberation when he defined the styles of Al Badee in the Arabic literary heritage ?