Articulatory Configuration and Pitch in a Classically Trained Soprano Singer

Previous studies suggest that singers modify articulation to avoid that the pitch frequency F0 exceeds the normal value of the first formant F1Normal. Using magnetic resonance imaging at a rate of 5 frames/s, articulation was analyzed in a professional soprano singing an ascending triad pattern from C4 to G5 (262–784آ Hz) on the vowels /i, e, u, o, a/. Lip and jaw opening and tongue dorsum height were measured and analyzed as function of pitch. Four or five semitones below the pitch where F0آ =آ F1Normal the tongue dorsum height was reduced in /i, e, u, a/, whereas in /o/ the lip opening was widened and in /a/ also the jaw opening was widened. At higher pitches, the jaw opening was widened in all vowels. These articulatory maneuvers are likely to raise F1 in these vowels.