Seeing Red: Baghdad and the event-ful city

In late modern war visuality plays a vital role in both the conduct and the rationalization of military violence. This essay explores the techno-cultural apparatus of US military operations and media briefings in occupied Baghdad from 2003 to 2007. It traces the visual reconfiguration of the city as a space of events rather than purely objects. These digital mappings were an intrinsic part of the US Army’s counterinsurgency strategy, and their performances were punctuated by a dialectical interplay of geopolitical and biopolitical imaginaries that was focal to the abstraction and legitimation of American military intervention.