The genesis of Jan Steens painting “As the old ones sing, so the young ones pipe” from the Gemäldegalerie Berlin

In collaboration with the research reactor of the Helmholtz-Zentrum Berlin für Materialien und Energie, the Gemäldegalerie Berlin is the only institute worldwide, which systematically employs the method of Neutron-Activation-Autoradiography to analyze paintings and painting techniques. To date more than 70 paintings were investigated with this effective, non-destructive, and exceptional method. It allows the visualization of structures and layers beneath the top surface and, in addition, enables the identification of elements contained in the pigments. The instrument B8 at the research reactor BER II is dedicated to this research. een is one of the prolific artists from the 17th century. Like other artists from that time he produced several versions of one specific topic during life-time. The topic “As the old ones sing, so the young ones pipe” was painted by Jan Steen in 13 versions. The painting from the Gemäldegalerie is an exception in this series as it differs in style and content from the other oeuvres. The question arises: why did the artist deviate from his usual scheme? ssible answer is provided by X-ray images and neutron autoradiographs made of the painting, allowing insight into hidden paint layers and, therefore, in the genesis of the painting. Jan Steen did not simply change the composition of the room and the figures. He originally intended an altogether different topic. Assumedly it was supposed to be a so-called merry company, located in a generous, stately room. Many pieces of this sophisticated ambiance have been eliminated from the version visible today; others were modified and integrated into the composition of the new painting. Thus, Jan Steen commenced the topic “As the old ones sing, so the young ones pipe” from a different context.