Author/Authors :
Rasoolipoor، Samira نويسنده Department of Persian Literature, College of Persian Literature and Foreign Languages, Tabriz Branch, Islamic Azad University, Tabriz, Iran , , Adelzadeh، Parnaneh نويسنده Department of Persian Literature, College of Persian Literature and Foreign Languages, Tabriz Branch, Islamic Azad University, Tabriz, Iran , , Pashayi Fakhri، Kamran نويسنده Department of Persian Literature, College of Persian Literature and Foreign Languages, Tabriz Branch, Islamic Azad University, Tabriz, Iran ,
Abstract :
Cinema and investigation on its categories in the broad scope of literature provide artistic and literary research
context. Cinema and its elements are indebted to literature and literature is an integral component of artistic
scopes. In this regard, due to possessing of cinema categories and its elements, Nizami’s Quintet deserves to
investigation. In this Masnavi, Nizami employs setting, visualization and characterization elements and he is
able to take benefit of these components. This research tries to explore these elements in Nizami’s Quintet
and study power and multidimensional knowledge of this great scholar. This study aims to survey on the
political cinema categories in Nezami Quintet and explain how they have been reflected in his Nezami. This
book deserves to scrutiny due to involving stories on tragedy and drama with political subject.
