Abstract :
This paper attempts to investigate the adolescent narrator’s journey into
adulthood in Ahmad Mahmoud’s The Neighbor. Considering the central
character’s growth into adulthood, the paper argues that the compulsory
military service can be fulfilled as a certain ‘rite of passage’
conventionalized within the society, as represented in the narrative. That
is because, through this convention, Khaled is finally approved as an
adult by his society. However, he is captured by anxiety of his military
service, but he finally overcomes it towards the end of the novel. He is
then claimed to have achieved a status in society, the bipolar structure of
which shapes social attitudes, and this experience leads to his transition
from ‘childhood’ to ‘adulthood’. Moreover, people in the storyworld are
considered either grown-ups or non-grown-ups. Khaled, the protagonist,
is part of the former group. The reader’s knowledge about the
storyworld, however, is restricted to the character-narrator’s account,
that is, the narrative perspective in this novel is oriented by narrating-I
(Khaled-the adult), recounting retrospectively four years of his own
adolescence. The act of narration does not refer to the experiencing-I
(Khaled-the adolescent). According to the modern developmental
models, the character in transition is supposed to be considered as an
adolescent. But in the society into which Khaled was born, ‘adolescence’
is not ‘discovered’ as a stage of ‘life cycle.’ The so-called rite of passage,
Khaled’s transformation, is seemingly achieved through military service
from a modernist perspective, but it is questionable to what extent Khaled himself is aware of such transformation. Yet, it can be said that
his development is affected by his political activities and his military
service as well as by the other social subjects such as his family,
neighbors, peers and party members.
Keywords :
Ahmad Mahmoud , The Neighbors , Adolescence , Rites of Passage , Adulthood