Author/Authors :
Gökay, Bülent , Whitman, Darrell
Abstract :
In early October 1890, representatives of the Native American nation gathered in the dust
of Walker Lake, Nevada. They had come to hear the words of Wovoka, a Paiute ‘messiah’
who claimed that in a vision Native Americans had been given a victory over their
tormentors, the white-skinned European masters. In the four hundred years that followed
the European invasion if the Americas, more than 90% of their number had been lost to
exotic diseases and the technological superior weaponry. The scattered remnants of their
once proud tribes were mostly locked into the despair of a wasteland of reservations, cut off
from the freedom of their former life. The great wheel of history was closing the American
frontier at the end of the nineteenth history and thereby extinguishing steadily erasing the
memory of their traditional life. Wovoka’s message that warm Fall day had a universal
appeal that cut across tribal differences to reach their collective identity: the Christ had
returned and would renew everything as it used to be, but only if they danced with the
ghosts of their ancestors.
Keywords :
U.S , GHOST DANCE , 21st Century , American