Title of article
Video Installation as a Language: an Interpretation of Mohd Fuad Arif’s Artworks
Author/Authors
Hojjat Shamami, Ayoub Master's of Art History - Universiti Teknologi MARA (UiTM) - Malaysia
Pages
6
From page
7
To page
12
Abstract
This paper is focused on the language and the music in Mohd Fuad Arif’s artworks especially in his installations. Language is a powerful tool that can be used as a source of inspiration for contemporary artists. For Malaysian conceptual artist Mohd Fuad Arif the Language plays a significant role in particular in his installations. Indeed for Mohd Fuad Arif the Language itself can be seen as artwork. Also, the specific question which investigated was the relationship between artist or artist intent, artwork, and spectator. The purpose of this paper was to provide a deeper insight into Mohd Fuad Arif’s artworks. This study attempted to decode some of his installations such as Pembukaan (The opening), Ya Allah Selamatkan Bumi Singapura (O Allah, Save Singapore). The different interpretations of the same subject are the main characteristic of the postmodern era. The author of this paper had his own interpretation of Mohd Fuad Arif’s installations.
Keywords
installation , Mohd Fuad Arif , language , postmodern era , conceptual art
Journal title
International Journal of Applied Arts Studies (IJAPAS)
Serial Year
2019
Record number
2512213
Link To Document