Author/Authors :
Werner Durth، نويسنده , , Roland May، نويسنده ,
Abstract :
Germany can be viewed as the natural home of the Rationalist impulse. Two of Germanyʹs most influential architects, Karl Friedrich Schinkel and Mies van der Rohe, have been admired the world over for their sense of tectonic order and purist form. Werner Durth and Roland May trace a modern history of the tendency, which began with the early 20th-century rediscovery of Schinkel and has been continued to the present in the work of OM Ungers. Copyright © 2007 John Wiley & Sons, Ltd.
Keywords :
Altes Museum , Ernst May , JNL Durand , Barcelona Pavilion , Bauakademie , Siedlung Westhausen , Peter Behrens , Ernst Neufert , Neoclassicism , Hans Poelzigיs IG Farben Offices , Haus Wiegand , Architects Data , Deutscher Werkbund , Albert Speer , Der moderne Zweckbau (The Modern Functional Building) , Hermann Muthesius , technoid forms , the last great architect , German Expressionist Architecture , International Building Exhibition , Karl Friedrich Schinkel , Werbund Exhibition at Cologne , Josef Paul Kleihues , Prussian purity and order , Max Taut , Adolf Loos , Neues Bauen , Berlin International Academy of Architecture , Neues Schauspielhaus , Siedlung Dessau-T?rten , Villa Kr?ller-Müller , Egon Eiermann , Adolf Behne , Fagus Factory in Alfeld , Oswald Mathias Ungers , Ludwig Mies van der Rohe and Walter Gropius , Hans Schwippert
