Abstract :
Since the 1980s, a growing number of performances in Europe have created new forms of choric theatre in search of altered concepts of the political. In Germany, one of its pioneers was the GDR-born director Einar Schleef (1944-2001). The article explores his oeuvre, from his first choric production Mothers (1986), a classical drama project, to his last production, Betrayed People (2000), which focused on the problem of revolution in Germany. Schleefʹs genealogical project reintroduced the chorus as a repressed figure that develops a spectral potentiality. Through a detailed analysis of Schleefʹs approach to performing history, the article examines how choric theatre initiates theatrical processes of cultural remembrance and creates a relation to the past that becomes generative of the future
