Abstract :
The article consists of two interrelated arguments: First, all theoretical or everyday talk on theatre implies a certain scenic understanding, related to the phenomenon of human action and speech. Second, this understanding has been concealed by an anthropomorphic conception of the human phenomenon, based on the givenness of the human figure. The article tries to deconstruct this figure by analysing classical philosophical texts where the link between the human appearance and the theatrical mode of representation is theoretically established. By questioning this link, new ways to exercise the critique of theatrical anthropocentricism, both in theory and in practice, are established.
