Abstract :
In this short article, the author, who was one of the performers in The King Lear Project, reflects on critical responses to the trilogy, and on what they reveal about the process of evaluating theatre. Having played the role of the Producer in the trilogy, Paul Rae notes that one of his functions was to deliver pre-emptive judgments on the performances as they developed, thereby challenging reviewers to be more than usually self-reflexive in delivering their own. In largely failing to meet this challenge, Rae asserts, the criticsʹ response to the trilogy underscored the role of misrecognition, prescriptiveness and an implicit violence in the act of theatrical judgment
