Abstract :
The story of Mu[hdot]ammadʹs Night Journey and Ascension to the Heavenly Spheres is perhaps the most fantastic episode in the Prophetʹs biography, and its fantastic aspects became widely accepted as historical facts notwithstanding the misgivings of early Muslim scholars. This paper investigates the narrative function of the fantastic in Ibn Kathīrʹs extensive accounts of the story within a comparative framework. By examining his version of Mu[hdot]ammadʹs Journey against narratives of utopia in western literature, it is possible to see the striking similarity in their narrativesʹ patterns, always beginning with the ‘familiar’ departure, then moving into the ‘remarkable’ journey, and ending in the ‘fantastic’ arrival, where the traveller comes into contact with the source of special knowledge. This paper proposes that Muslim al-Isrā’ wa-l-Mi‘rāj and western narratives of utopia follow a fairly universal structure, what I would call ‘utopian travel rubric’, which blends the ‘familiar’, ‘remarkable’ and ‘fantastic’ to engender a sense of plausibility for both the Heavenly and Utopian journeys.
