Navigating Worlds of ‘‘Trouble and Woe and Worse’’ in Children’s Literature: An Exploration into the Double Text of Tony Kushner and Maurice Sendak’s Brundibar

In this article, the author explores the richly layered double text of Kushner and Sendak’s picturebook, Brundibar (2003)—the historical context of Brundiba´r as a Holocaust-era children’s operetta by Hans Kra´sa and Adolf Hoffmeister, and the present day manifestation of Brundibar as a children’s picturebook. In order to contextualize the discussion of Kushner and Sendak’s text, Brundibar’s historical origins in Nazi-annexed Czechoslovakia and its transition to the stage in the Nazi ‘‘model’’ concentration camp, Terezı´n, is presented. An extensive semiotic analysis of Kushner and Sendak’s illustrations and text is also provided within the framework of what Kushner (The art of Maurice Sendak: 1980 to the present, 2003) terms ‘‘a world of trouble and woe and worse’’ (p. 210). Furthermore, the author discusses the development of Sendak’s Hitlerian Brundibar and the struggles that both Kushner and Sendak faced as they considered how to portray the story’s antagonist, given their somewhat differing conceptions of which difficult themes and topics children should be exposed to during childhood. To round out thisdiscussion, the author explores pedagogical implications for teachers as they read difficult texts, particularly Holocaust texts, with children.