Abstract :
The word and the world are no longer coeval. The modern world, near anarchic and totally
absurd, emerges like a formidable fortress with complex labyrinths. The poet, the manipulator of
words, struggles with the words themselves in quest of a possible exit. The verbal artifice erects
a distinct world - confusing, abstract, and volatile; the entrapped intellect reacts in a desperate
attack. The gaps in the discursive structure constitute a presence embodying a space that
dramatizes the variegated processes of configuration, disfiguration and re-configuration that
characterize the unending dynamics of the text. An exploration of the intriguing spatial dynamics
of Eliot’s works remains a challenging and rewarding prospect, with evolving new perceptual
profiles emerging in the process.
