حضور التاريخ في رواية شعلة المايدة لمحمد مفلاح

The fictional art has received the attention of critics and writers, and this is due, in our belief, to its possession of capabilities and capabilities that allow it to contain human history, past, present and even future. The latter allows her to engage in many relationships such as simulation, dialogue... Hence, we chose in this study to talk about historical intertextuality, so Mohamed Mufleh was our destination and The Maya Torch our station because it reflects the history of Oran in particular and the history of Algeria in general.