مستويات صورة الشهيد في شعر المقاومة الفلسطينية

This research aims at showing the different levels of discourse on martyrdom in Palestinian resistance poetry inside and outside the occupied lands by considering the following questions: Has martyrdom been actualized within a religious framework or is it presented as a special psychological state and do its levels vary according to the temporal stages of the Palestinian resistance or is it a stable structural pattern controlled by a host of poetic conventions? Palestinian poets in whose work the image of martyrdom and martyrs is especially pronounced will be considered. Some of these poets include Darwish, Al Qasim, Tawfiq Ziad, Mueen Bseiso, Fadwa Touqan and others on the one hand and Ibrahim Nasrallah on the other hand . It is shown that the image of the martyr is revealed in three levels. The first level is horizontal which encourages dissemination, thus resulting in fertility and growth. The second level is vertical which results from the martyr's journey upwards, allowing him to enter the heavens where there is absolute justice, where he will experience happiness since his ascension is a blessing and represents human freedom from oppression. As for the third level, considered as the core of Ibrahim Nasrallah's Angels' Mirrors,. In conclusion, the artistic levels of structure in the poetry of martyrdom in the three above mentioned levels reveal the images of the martyr in the first two levels, which lean towards direct presentation of emotion or angry oratory and in the third level, which leans towards subtle tones and the formation of serious drama.