صناعة المعنى من تعالق الأنساق إلى التطبيع الانفعالي مقاربة إشهارية في الرواية العراقية

Making Meaning from the Relationship of Patterns to Emotional Normalization in Iraqi Novels

The novel, because of its linguistic and iconic patterns, has become a creative strategy for adjusting between the producer of the text and the recipient with the result of having moments of inspiration, romantic behavior, and the desire to meet a beautiful moment. The novelist becomes the one and only person that tells everything in the story and thus the reader begins to dream of the essence of advertising the novel and its content. The present study aims to examine the semantic relationship of the linguistic and iconic modes in Iraqi novels to find out the effectiveness of this relationship on the recipients as well as its impact on their gain towards the worlds of the novel. The research relied on the mechanisms of the semiotic method. The research questions posed in this study are: Does the relationship between the linguistic structures of the title and the integrated panel on the outer cover of the novel contribute to attracting the consumer towards the novel? Do the linguistic and iconic styles have an effect on consumers’ tendencies and emotions? Are the phonological, compositional, and semantic levels of the title effective in attracting the audience to the novel? The research was divided into two parts. The first was theoretical, in which we stood on the parallel text in terms of understanding and importance, and the second level was procedural.