مروري بر معماري مجموعه ي شيخ صفي الدين اردبيلي و تأثير تفكر عرفاني بر شكل گيري بناي آن

A review of the architecture of Sheikh Safi Al-din Ardabili's collection and the effect of mystical thinking on its building

مجموعه اسلامي عرفاني شيخ صفي الدين يكي از مهم ترين بناهاي تاريخي و باستاني در استان اردبيل محسوب شده كه سير تاريخي اسلامي - ارزشمندي طي دوره صفويه و قبل از آن را در دل خود نهفته دارد. صدر الدين موسي فرزند و جانشين شيخ صفي الدين نظم و نسق بقعه را – طراحي كرده است و از طريق يك رويا آن را به معمار اين بنا الهام نموده است. معماري اين مجموعه تاريخي كه شامل قسمتهاي بجامانده شامل چيني خانه، جنت سرا، چله خانه، دارالحفاظ، و گنبد الله الله بوده كه همواره به نوعي با يك تفكر بنيادين ارتباط داشته است .به نظر مي رسد كه مجموعه شيخ صفي الدين اردبيلي به عنوان يكي از مراكز مهم عرفان و تصوف در دوره صفويه متاثر از انديشه ها و مفاهيم عرفاني بوده و اين مفاهيم در شكل گيري معماري اين مجموعه تاثيرگذار بوده باشد .در سير مراتب عرفان از منازل هفتگانه اي ياد ميشود كه سالك با طي اين منازل به مرتبه فنا في الله مي رسد. لذا اين مقاله سعي دارد به روش تحليلي مروري ابتدا به معرفي و بررسي بخش هاي مهم و بجامانده - مجموعه شيخ صفي الدين اردبيلي بپردازد و سپس ويژگي هاي هر يك از مراحل هفتگانه عرفان و ارتباط آن با شكل گيري بناي شيخ صفي الدين بكاود.

The Islamic-mystical collection of Sheikh Safi Al-din is one of the most important monuments in Ardabil province, which has an important historical Islamic course during its Safaviyeh period and before it. Sadruddin Musa - the son and successor of Sheikh Safi Al-din has designed the monument to the tomb and through a dream he inspired the architect of this building. The architecture of this historic complex, which includes parts of the cast, includes the Chinese House, Janet Sarah, Chaleh House, Daro Al-Hefaz, and Gonbad Allah Allah, which has always been in some way associated with a fundamental thought. It seems that Sheikh Safi Al-din Ardabili's collection as one the important centers of mysticism and Sufism during the Safaviyeh period were influenced by mystical thoughts and concepts, and these concepts were influential in the formation of the architecture of this collection. In the course of mysticism, it is mentioned from the seventh houses that the villain has been rushing through these houses to the rank of Jihad. Therefore, this article attempts to introduce and review the important and final sections of Safi Al-din Ardabili's collection by analytical-review method. Then, the characteristics of each of the seven stages of mysticism and its relation with the formation of Sheikh Safi Al-din's structure.