Author/Authors
yaşar, nedret yalova üniversitesi - sanat ve tasarım fakültesi - resim bölümü, turkey
Title Of Article
Two Basic Branches of the Oil Painting Method: Flemish and Italian Painting Methods
شماره ركورد
38951
Abstract
This study aims to analyze the Flemish and Italian painting techniques which are at the core of the development of different methods throughout the history of oil painting in art. The tradition and the development phase of the European oil painting will be defined and examined within the framework of general features of these two methods which are influential even today. In our study, the 15^th and the 16^th century North and South European Renaissance will be examined step by step. Firstly, the study focuses on the Flemish oil painting method, attributed to Jan Van Eyck (1390-1441) then on Italian Painting method with the representatives of Florence School that is based on form, like Antonella da Messina (1430-1479), Leonardo da Vinci (1452-1519) and Rafaello Sanzio (1483-1520). Also the representative of the School of Venice; Titian (1488/1490-1576) will be analyzed. Finally, the effects of these two fundamental painting approaches will be uncovered.
From Page
123
NaturalLanguageKeyword
Oil Paintings , “Imprimatura” , Underpainting , Main Paint Layer , “Impasto” , “Glazing”.
JournalTitle
Journal Of Institute Of Fine Arts
To Page
134
JournalTitle
Journal Of Institute Of Fine Arts
Link To Document