DocumentCode
1116507
Title
Stereo reverberation
Author
Vermeulen, R.
Author_Institution
Philips Res. Labs., Eindhoven, Netherlands
Issue
4
fYear
1956
Firstpage
98
Lastpage
105
Abstract
Investigating the reasons why reproduced music gives an impression different from that which a listener receives during a concert, it was found that the distribution of the sound over the room is essential. Although stereophonic reproduction can give a sufficiently accurate imitation of an orchestra, it is necessary to imitate also the wall reflections of the concert hall, in order that the reproduction may be musically satisfactory. This can be done by means of several loudspeakers, distributed over the listening room, to which the signal is fed with different time-lags. The diffused character of the artificial reverberation thus obtained seems to be even more important than the reverberation time. Likewise, when a live orchestra is playing in an acoustically unsatisfactory hall (e.g., a theater), the diffuseness of the sound field and the reverberation time may both be improved by picking up the music by means of a directional microphone and repeating it through loudspeakers with different retardations. The audience does not experience the improvement consciously and ascribe it to the orchestra playing better. The performers, however, are aware of the change in the acoustics as making the hall more playable.
Keywords
Acoustic reflection; Acoustic waves; Delay; Electronics packaging; Loudspeakers; Microphones; Music; Reverberation; Speech;
fLanguage
English
Journal_Title
Audio, IRE Transactions on
Publisher
ieee
ISSN
0096-1981
Type
jour
DOI
10.1109/TAU.1956.1165636
Filename
1165636
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