• DocumentCode
    1116507
  • Title

    Stereo reverberation

  • Author

    Vermeulen, R.

  • Author_Institution
    Philips Res. Labs., Eindhoven, Netherlands
  • Issue
    4
  • fYear
    1956
  • Firstpage
    98
  • Lastpage
    105
  • Abstract
    Investigating the reasons why reproduced music gives an impression different from that which a listener receives during a concert, it was found that the distribution of the sound over the room is essential. Although stereophonic reproduction can give a sufficiently accurate imitation of an orchestra, it is necessary to imitate also the wall reflections of the concert hall, in order that the reproduction may be musically satisfactory. This can be done by means of several loudspeakers, distributed over the listening room, to which the signal is fed with different time-lags. The diffused character of the artificial reverberation thus obtained seems to be even more important than the reverberation time. Likewise, when a live orchestra is playing in an acoustically unsatisfactory hall (e.g., a theater), the diffuseness of the sound field and the reverberation time may both be improved by picking up the music by means of a directional microphone and repeating it through loudspeakers with different retardations. The audience does not experience the improvement consciously and ascribe it to the orchestra playing better. The performers, however, are aware of the change in the acoustics as making the hall more playable.
  • Keywords
    Acoustic reflection; Acoustic waves; Delay; Electronics packaging; Loudspeakers; Microphones; Music; Reverberation; Speech;
  • fLanguage
    English
  • Journal_Title
    Audio, IRE Transactions on
  • Publisher
    ieee
  • ISSN
    0096-1981
  • Type

    jour

  • DOI
    10.1109/TAU.1956.1165636
  • Filename
    1165636