Abstract :
At the Ars Electronica Festival, a leading confluence of artists, computer scientists, and scientists, people from around the world came to explore the concept of takeover: who is making the Art of tomorrow? While the implied question wasn´t decided in any substantial way, there´s no question that the art of tomorrow will often be based on interfaces between humans and computers. If only one irrefutable truth emerged from the often tangled ideas presented, it´s that the interface of tomorrow will be substantially different to what we´re accustomed to
