DocumentCode
1960615
Title
Notice of Retraction
Victory of copying: Exploring the design way in the age of popular culture
Author
Lijia Zhu
Author_Institution
Fac. of Social Sci., Kunming Univ. of Sci. & Technol., Kunming, China
Volume
2
fYear
2010
fDate
17-19 Nov. 2010
Firstpage
1146
Lastpage
1148
Abstract
Notice of Retraction
After careful and considered review of the content of this paper by a duly constituted expert committee, this paper has been found to be in violation of IEEE´s Publication Principles.
We hereby retract the content of this paper. Reasonable effort should be made to remove all past references to this paper.
The presenting author of this paper has the option to appeal this decision by contacting TPII@ieee.org.
Copying is rampant in popular culture. It is deemed a shackle that contemporary designers are attempting to break. However, even if the industrial art which is contrary to the cultural trend owns aesthetic value, obtaining corresponding economic benefits is difficult. Through a number of industrial design examples, this paper attempts to explore a method that can assist people in obtaining the “unique” aesthetic experience without refusal to copy. It encourages designers to draw lessons from cultural studies, and again carry on the humanistic idea.
After careful and considered review of the content of this paper by a duly constituted expert committee, this paper has been found to be in violation of IEEE´s Publication Principles.
We hereby retract the content of this paper. Reasonable effort should be made to remove all past references to this paper.
The presenting author of this paper has the option to appeal this decision by contacting TPII@ieee.org.
Copying is rampant in popular culture. It is deemed a shackle that contemporary designers are attempting to break. However, even if the industrial art which is contrary to the cultural trend owns aesthetic value, obtaining corresponding economic benefits is difficult. Through a number of industrial design examples, this paper attempts to explore a method that can assist people in obtaining the “unique” aesthetic experience without refusal to copy. It encourages designers to draw lessons from cultural studies, and again carry on the humanistic idea.
Keywords
art; cultural aspects; design engineering; reproduction (copying); aesthetic value; copying; economic benefits; industrial art; industrial design; popular culture; Art; Cultural differences; Economics; Force; Materials; Psychology; Resistance; Aura; aesthetic; copycat (Shanzhai); humanism; utilitarian;
fLanguage
English
Publisher
ieee
Conference_Titel
Computer-Aided Industrial Design & Conceptual Design (CAIDCD), 2010 IEEE 11th International Conference on
Conference_Location
Yiwu
Print_ISBN
978-1-4244-7973-3
Type
conf
DOI
10.1109/CAIDCD.2010.5681864
Filename
5681864
Link To Document