• DocumentCode
    2021592
  • Title

    Painting the digital river

  • Author

    Walker, James Faure

  • Author_Institution
    Fine Art, Kingston Univ., London, UK
  • fYear
    2005
  • fDate
    6-8 July 2005
  • Firstpage
    928
  • Lastpage
    930
  • Abstract
    This paper recounts the rationale and process of writing a book on digital painting, the coming together of computer graphics and contemporary art. As both a digital and a ´physical´ painter, I felt there were fascinating possibilities the practitioner comes across, but these implications were being overlooked. There is a view that ´new media´ will simply replace ´traditional media´, like painting. I intended to show that a painter can ´go digital´ and yet remain quite obviously a painter. There had to be a balance between the detailed discussion of computer graphics and the detail of painting: the techniques, the histories, the continuing debates, in a way that would bring it alive to a wider readership. The title, ´Painting the Digital River´, is a metaphor for what divides the territory, for the co-existence of change and continuity, and for the journey of discovery.
  • Keywords
    art; computer graphics; computer graphics; contemporary art; digital painting; digital river; Books; Computer graphics; Digital art; History; Painting; Paints; Rivers; Virtual reality; Visualization; Writing;
  • fLanguage
    English
  • Publisher
    ieee
  • Conference_Titel
    Information Visualisation, 2005. Proceedings. Ninth International Conference on
  • ISSN
    1550-6037
  • Print_ISBN
    0-7695-2397-8
  • Type

    conf

  • DOI
    10.1109/IV.2005.94
  • Filename
    1509183