DocumentCode
2021592
Title
Painting the digital river
Author
Walker, James Faure
Author_Institution
Fine Art, Kingston Univ., London, UK
fYear
2005
fDate
6-8 July 2005
Firstpage
928
Lastpage
930
Abstract
This paper recounts the rationale and process of writing a book on digital painting, the coming together of computer graphics and contemporary art. As both a digital and a ´physical´ painter, I felt there were fascinating possibilities the practitioner comes across, but these implications were being overlooked. There is a view that ´new media´ will simply replace ´traditional media´, like painting. I intended to show that a painter can ´go digital´ and yet remain quite obviously a painter. There had to be a balance between the detailed discussion of computer graphics and the detail of painting: the techniques, the histories, the continuing debates, in a way that would bring it alive to a wider readership. The title, ´Painting the Digital River´, is a metaphor for what divides the territory, for the co-existence of change and continuity, and for the journey of discovery.
Keywords
art; computer graphics; computer graphics; contemporary art; digital painting; digital river; Books; Computer graphics; Digital art; History; Painting; Paints; Rivers; Virtual reality; Visualization; Writing;
fLanguage
English
Publisher
ieee
Conference_Titel
Information Visualisation, 2005. Proceedings. Ninth International Conference on
ISSN
1550-6037
Print_ISBN
0-7695-2397-8
Type
conf
DOI
10.1109/IV.2005.94
Filename
1509183
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