DocumentCode :
2021592
Title :
Painting the digital river
Author :
Walker, James Faure
Author_Institution :
Fine Art, Kingston Univ., London, UK
fYear :
2005
fDate :
6-8 July 2005
Firstpage :
928
Lastpage :
930
Abstract :
This paper recounts the rationale and process of writing a book on digital painting, the coming together of computer graphics and contemporary art. As both a digital and a ´physical´ painter, I felt there were fascinating possibilities the practitioner comes across, but these implications were being overlooked. There is a view that ´new media´ will simply replace ´traditional media´, like painting. I intended to show that a painter can ´go digital´ and yet remain quite obviously a painter. There had to be a balance between the detailed discussion of computer graphics and the detail of painting: the techniques, the histories, the continuing debates, in a way that would bring it alive to a wider readership. The title, ´Painting the Digital River´, is a metaphor for what divides the territory, for the co-existence of change and continuity, and for the journey of discovery.
Keywords :
art; computer graphics; computer graphics; contemporary art; digital painting; digital river; Books; Computer graphics; Digital art; History; Painting; Paints; Rivers; Virtual reality; Visualization; Writing;
fLanguage :
English
Publisher :
ieee
Conference_Titel :
Information Visualisation, 2005. Proceedings. Ninth International Conference on
ISSN :
1550-6037
Print_ISBN :
0-7695-2397-8
Type :
conf
DOI :
10.1109/IV.2005.94
Filename :
1509183
Link To Document :
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