• DocumentCode
    2648762
  • Title

    Basic Study in Ma Timing in Gagaku: Between the Dancer and the Ryuteki Player in Bugaku Dance "Ryo-Ou"

  • Author

    Sakata, Mamiko ; Kurasaka, Sachika

  • Author_Institution
    Fac. of Culture & Inf. Sci., Doshisha Univ., Kyotanabe, Japan
  • fYear
    2011
  • fDate
    20-22 Oct. 2011
  • Firstpage
    185
  • Lastpage
    186
  • Abstract
    Accurate, yet delicate, timing is required in Japan´s traditional performing arts, which include gagaku, the ancient court dance and music. This study is an empirical attempt at understanding the ma timing by analyzing the relationship between the dancer and the player of the ryuteki (dragon flute), an ancient musical instrument used for ceremonial court performances. We conducted experiments under five different conditions to compare how the performers timed their ma: 1. Dancing without musical accompaniment, 2. Dancing to the recorded ryuteki music, 3. The dancer and musician standing back to back, 4. The dancer and musician looking in the same direction, and 5. The dancer and musician facing each other. The results showed that the subjective ma timing perceived by the dancer was not always the same as the exact, physically-measured time.
  • Keywords
    art; musical instruments; Bugaku dance; Ma timing; Ryo-Ou; ancient court dance; ancient musical instrument; dragon flute; gagaku; performing arts; ryuteki player; Art; Data analysis; Face; Music; Timing; Visualization; Japan´fs traditional performing arts; intangible cultural heritage; ma; visual data analysis;
  • fLanguage
    English
  • Publisher
    ieee
  • Conference_Titel
    Culture and Computing (Culture Computing), 2011 Second International Conference on
  • Conference_Location
    Kyoto
  • Print_ISBN
    978-1-4577-1593-8
  • Type

    conf

  • DOI
    10.1109/Culture-Computing.2011.57
  • Filename
    6103253