DocumentCode :
3621604
Title :
The Ballet Model in Engineering Classes – What Works, What Doesn’t, and What’s New
Author :
B. London;L. Deyo
Author_Institution :
Professor, Materials Engineering Department, California Polytechnic State University, San Luis Obispo, CA, blondon@calpoly.edu
fYear :
2005
fDate :
6/27/1905 12:00:00 AM
Abstract :
Six different engineering courses were taught using aspects of the classical ballet instruction model in organization, teaching methods, and learning strategies. There was a strong focus on performance. The courses spanned sophomore to senior levels. Some aspects of the ballet model worked well: setting rules for the Sacred Space for learning, the beginning activity ("stretch"), the overall organization of the class session, communicating the known ideal, including historical background, and using demonstrations. Some aspects did not work (thus far): exams are not yet performances on stage, little practice or rehearsal occurs, little competition between students occurs, asking students questions in class is uncomfortable, and many students do not want to be in class. New ideas presented include "casting" for exams and highlighting the role of repetition in learning. It was deemed worthwhile to apply the performing arts model to foster increased learning during engineering class
Keywords :
"Composite materials","Design engineering","Power engineering and energy","Engineering education","Laboratories","Mechanical factors","Art","Watches","Ceramics"
Publisher :
ieee
Conference_Titel :
Frontiers in Education, 2005. FIE ´05. Proceedings 35th Annual Conference
ISSN :
0190-5848
Print_ISBN :
0-7803-9077-6
Type :
conf
DOI :
10.1109/FIE.2005.1611892
Filename :
1611892
Link To Document :
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