DocumentCode :
565595
Title :
Acting lesson with robot: Emotional gestures
Author :
Knight, Heather ; Gray, Matthew
Author_Institution :
Robot. Inst., Carnegie Mellon Univ., Pittsburgh, PA, USA
fYear :
2012
fDate :
5-8 March 2012
Firstpage :
407
Lastpage :
407
Abstract :
Summary form only given. In this video, real-life acting professor Matthew Gray tutors Data the Robot (a Nao model) to improve his expression of emotion via Chekhov´s Psychological Gestures. Though the video narrative is fictional and the robot actions pre-programmed, the aim of the dramatization is to introduce an acting methodology that social robots could use to leverage full body affect expressions. The video begins with Gray leading Nao in traditional human actor warm-up exercises. Next, Gray shows Data a video of his students practicing Chekhov psychological gestures [4][11]. Finally, Data tries out some `push´ gestures himself. By pairing the `push´ gesture with text, the viewer is intended to unconsciously associate the words with an outpouring of emotion. Finally, Data´s programmer, Knight, arrives to pick up the robot from his lesson, “until next time.” This video playfully introduces full-body emotional gestures. The benefit of such movement-based full-body expressions is that they do not necessarily require a robot to have human-like facial expressions nor humanoid form to be effective (though the interplay of psychological gesture with multi-modal expressions could provide fertile terrain for future research). Instead, these full-body motions are translations of an actor´s motive/intent that suffuse the whole form (e.g. expansion, sluggishness, lightness). We note that there are various schools of physical theater dedicated to understanding movement [5]. Related investigations in the robotics world that have applied acting method or practice to social robot design or architecture also include [2][3][6][7][8][9][10]. As Blaire writes about in her text on acting and neuroscience [1], the discovery of mirror neurons in our brain have led some dramaturges to theorize that audience members simulate the gestures of the performers through their own neural circuitry for interpretation. If so, full body gestures may be able to tap into our - motional experience in a uniquely human way. We hope this will be the first of several spirited demonstration videos that explore intersections wherein human acting methodologies might benefit the development of robot non-verbal expressions.
Keywords :
emotion recognition; human-robot interaction; humanoid robots; learning (artificial intelligence); robot programming; teaching; Chekhov psychological gestures; Nao model; acting lesson; acting methodology; emotion expression improvement; full-body emotional gestures; human actor warm-up exercises; movement-based full-body expressions; multimodal expressions; robot nonverbal expression development; social robot design; Art; Educational institutions; Heating; Humans; Neuroscience; Psychology; Robots; Acting Methodology; Entertainment Robots; Gesture; Robot Theater; Social Robots;
fLanguage :
English
Publisher :
ieee
Conference_Titel :
Human-Robot Interaction (HRI), 2012 7th ACM/IEEE International Conference on
Conference_Location :
Boston, MA
ISSN :
2167-2121
Print_ISBN :
978-1-4503-1063-5
Electronic_ISBN :
2167-2121
Type :
conf
Filename :
6249589
Link To Document :
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