DocumentCode
907105
Title
The Structure of PowerPoint Presentations: The Art of Grasping Things Whole
Author
Gross, Alan G. ; Harmon, Joseph E.
Author_Institution
Dept. of Commun. Studies, Univ. of Minnesota-Twin Cities, Minneapolis, MN
Volume
52
Issue
2
fYear
2009
fDate
6/1/2009 12:00:00 AM
Firstpage
121
Lastpage
137
Abstract
We examine PowerPoint from the point of view of Jean-luc Doumont´s design guidelines: those for individual slides and those for whole presentations. By analyzing two presentations on the same topic, designed for two very different audiences, we show that it follows from these guidelines that in all cases, full comprehension requires clearly articulated overall organization that integrates the verbal and the visual into a single message. This means that the crucial unit of analysis is not the individual slide, but the extent to which the individual slide is integrated into the presentation as a whole. The principle by which this integration is achieved changes as the audience does: general audience presentations are best organized by means of narrative, while professional audience presentations are best organized by means of argument. In all cases, audience adaptation is the master variable, determining what counts as the optimal integration of the verbal and the visual into a single message.
Keywords
cognition; human factors; technical presentation; PowerPoint presentation; cognitive development; design guidelines; general audience presentation; optimal verbal-visual integration; professional audience presentation; Art; Business communication; Business continuity; Cities and towns; Focusing; Guidelines; Professional communication; Psychology; Signal to noise ratio; Tsunami; Argument; Edward Tufte; Jean-luc Doumont; PowerPoint presentations; audience adaptation; effective redundancy; narrative; signal-to-noise ratio (SNR);
fLanguage
English
Journal_Title
Professional Communication, IEEE Transactions on
Publisher
ieee
ISSN
0361-1434
Type
jour
DOI
10.1109/TPC.2009.2020889
Filename
4957831
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