DocumentCode :
937923
Title :
Electronic Music
Author :
Caine, Hugh Le
Author_Institution :
Radio and Elect. Engrg. Div., National Res. Council of Canada, Ottawa, Can.
Volume :
44
Issue :
4
fYear :
1956
fDate :
4/1/1956 12:00:00 AM
Firstpage :
457
Lastpage :
478
Abstract :
The three attributes of musical sound, pitch, loudness and timbre, are discussed in relation to their counterparts in an electrical signal, frequency, amplitude and harmonic spectrum. Although electrical devices can control these quantities simply according to the explicit instructions contained in written music, that is, to provide the "bare essentials" of a musical performance, it is more difficult to produce the complex patterns of frequency, amplitude and harmonic spectrum actually found in a musical performance on well known instruments. Control of the build up and decay of each note, arbitrary deviations of pitch, vibrato of varying rates and amounts, and a "choir effect" of random pattern of beats are required. Various means of achieving these effects are discussed, first in the electronic organ and then in various "monophonic" or single-note instruments. Finally, coded-performance of "synthetic music" devices are described, including those used by the Musique Concrete Group of Paris, and the Cologne Studio for Electronic Music.
Keywords :
Concrete; Design engineering; Ear; Electric variables control; Electronic music; Frequency measurement; Harmonic analysis; Instruments; Teeth; Timbre;
fLanguage :
English
Journal_Title :
Proceedings of the IRE
Publisher :
ieee
ISSN :
0096-8390
Type :
jour
DOI :
10.1109/JRPROC.1956.274925
Filename :
4052036
Link To Document :
بازگشت