نقد كهن الگويي داستان دژ هوش ربا

The archetypal criticism story magnets intelligence fortress

كهن الگوها مفاهيم مشتركي هستند كه در طول ساليان، در ناخودآگاه بشر انباشته شده اند. نقد كهن الگويي يكي از شاخه هاي نقد ادبي جديد است كه به بررسي كهن الگوهاي موجود در يك اثر ادبي مي پردازد. در اين مجال، ضمن پرداختن به تاريخچه و پايه ريزان نقد كهن الگويي، پاره اي از اصطلاحات كليدي اين نوع نقد، همچون ناخودآگاهي، كهن الگو، به اختصار بررسي شده اند و نيز به كهن الگوهايي از قبيل «قهرمان»، «سفر قهرمان»، «پير خردمند»، «آنيما»، «سايه»، «مرگ و تولد مجدد» و «نقاب» كه از اصلي ترين آنها هستند، بر اساس نظريات يونگ، در داستان «دژ هوش ربا» پرداخته شده است

Archetypes are some shared concepts which are accumulated in collective unconscious. Archetypal criticism could be defined a branch of literary criticism which deals with analyzing archetypes in a literary work. Archetypes are some concealed things and symbols can make them reveal. Jung believes “archetype’s origin is unknown. They might appear anytime and anywhere; even if transforming of Human origin or racial combinations is ignored by emigration” (Jung, 1352: 106). Archetypal criticism started out of the literature in addition to Jung James Frazer, Scottish anthropologist, the first theorist was that introduced archetypes, but archetypes are known by Jung and mostly consider idiomatic belongs to Jung. Maud Bodkin the first in "archetypal designs in poetry" by interpreting mythic Coleridge's poems, and Eliot, brought literature Jung's ideas and Frazer and others, such as Robert Graves, Robert Graves, Wilson Knight, Richard Chase and … continued Bodkin way to and finally Northrop Frye recognize that the archetypal criticism along with other forms of modern literary criticism and left it of domination anthropology and psychology. Also called the archetypal criticism mythical criticism, because in principle archetypes derived from myths. Myths are related to the course of human civilization be remembered that as human childhood.