مولفه‌هاي پست‌مدرنيستي در غزليات حافظ شيراز

Elements of Postmodern in Sonnets of Hafez-e Shirazi

پست مدرنيسم طغيانيست عليه باورهاي تك بعدي و تك صدا. اين فكر هيچ ذهن و مرز خاصي را شامل نمي شود و هر لحظه و در هر مكاني سر بر مي آورد و در قاب يك اثر هنري متجسم مي شود. گرچه اصطلاح پست مدرن در اين مقاله از ادبيات و نظريه هاي غربي وام گرفته شده و حاكي از تفكر و زبان فرهنگ ديگري است ولي هدف اين مكتب و كاركردهايش جهان شمول است. در اين مقاله كوشيده ايم تا مطابقت هاي فلسفي مكتب پست مدرن را در غزليات حافظ بسنجيم و تا حد امكان فضاي سازي و فلسفه متعالي اين شاعر برجسته و جهاني ادبيات كلاسيك را نشان دهيم. مؤلفه هاي پست مدرني اقتباس، عدم قطعيت، كارناوال، فروپاشي روايت هاي كلان ، كالاي ذهني، مركزيت زدايي، وجودشناسي، اتصال كوتاه...در اين سير به مدد ما آمده است.

Post-modernism is a rebellion against the beliefs of one-dimensional and mono sound.That does not include any mind and a certain boundary and at any time and in any place emerges and language for the collapse of beliefs that take on the right form in society. Although the term postmodern in this article are borrowed from Western literature and theory and suggests thinking of another culture and language but the aim of this school and its functions is universal. The adaptation is one of the postmodern components that Hafez has used to combat the singularity of the great narratives and has led the society's mentality to pluralism in the realities and its acceptance. He combines the styles, ideas and literary types of the past, such as the philosophical thinking of Khayyam, parody, praise and mystical literature using the element of satire, along with the shaking of the dominant philosophical elements of society, which is condemned to be inferior and presided over and self-made constructs of reality in the form of a pseudo-independent society on paper. and using the double confrontation of the Kharabat against the Khaneghah, Pir-e Khanqah is placed against Pir-e Moghan and.... He does not seek to sit his own theory in this direction, but also opposes the voices of the opposition. In this article we have tried to match the postmodern philosophical school in the ghazels of Hafez measure and as much as possible we show the space and transcendental poets and classical world literature. In addition to the adaptation, postmodern components of uncertainty, carnival, decay of narratives, and short stories have survived in the nuns.