تحليل مضمون عاشقانه چند نگاره از رضا عباسي با تأكيد بر اثر « بانوي خيال پرداز» بر مبناي آراي صدرالمتألهين

Analysis of Romantic content of some images by Reza Abbasi with emphasis on "Lady of imagination" on the basis of Sadrolmotallehin’s ideas

ﻣﻀﺎﻣﯿﻦ ﻋﺎﺷﻘﺎﻧﻪ در ﻧﮕﺎرﮔﺮي ﺑﻪ اﺷﻌﺎر ﻋﺎﺷﻘﺎﻧﻪ و ﺷﺎﻋﺮاﻧﻪ ﻓﺎرﺳﯽ ﺑﻪ ﻗﺒﻞ از ﻣﮑﺘﺐ اﺻﻔﻬﺎن ﺑﺮ ﻣﯽﮔﺮدد. آﺛﺎر رﺿﺎ ﻋﺒﺎﺳﯽ از ﺟﻤﻠﻪ ﻣﻀﺎﻣﯿﻦ ﻋﺎﺷﻘﺎﻧﻪ و ﺗﻐﺰﻟﯽ، ﺳﺒﮏ ﺟﺪﯾﺪي را در ﻃﺮاﺣﯽ و ﻧﻘﺎﺷﯽ اﯾﺮاﻧﯽ اﺑﺪاع ﮐﺮد. ﭘﯿﻮﻧﺪ دروﻧﯽ اﺟﺰاء ﻣﺨﺘﻠﻒ آﺛﺎر ﺗﻐﺰﻟﯽ رﺿﺎ ﺑﺎ ﺗﺮﮐﯿﺐ ﺑﻨﺪي ﺟﺪﯾﺪ و ﻧﻪ ﻫﻤﭽﻮن آﺛﺎر ﮔﺬﺷﺘﻪ وﻟﯽ ﺑﺎ دوري از ﭘﺮﺳﭙﮑﺘﯿﻮ و ﺳﺎﯾﻪ روﺷﻦ و ﻫﻤﺎﻫﻨﮓ ﺑﺎ ﻓﻠﺴﻔﮥ ﺟﺪﯾﺪ ﺻﺪراﻟﻤﺘﺄﻟﻬﯿﻦ، ﻓﺮﻫﻨﮓ و ﻫﻨﺮ روزﮔﺎر ﻋﺼﺮ ﺷﺎه ﻋﺒﺎس اول ﺻﻔﻮي را ﺑﻪ زﯾﺒﺎﯾﯽ ﺗﻤﺎم ﻧﺸﺎن ﻣﯽدﻫﺪ. آﺛﺎر رﺿﺎ ﺑﺎ ﻣﻀﺎﻣﯿﻦ ﻣﺨﺘﻠﻒ ﻋﺎﺷﻘﺎﻧﻪ، ﻋﺮﻓﺎﻧﯽ، ﺣﻤﺎﺳﯽ و اﺟﺘﻤﺎﻋﯽ ﻫﺴﺘﻨﺪ؛ ﮐﻪ از ﻣﯿﺎن آﺛﺎر او ﺑﻪ ﺗﺤﻠﯿﻞ ﭼﻨﺪ ﻧﮕﺎره از اﯾﻦ ﻫﻨﺮﻣﻨﺪ ﺑﺎ ﻣﻀﺎﻣﯿﻦ ﻋﺎﺷﻘﺎﻧﻪ و ﺗﻄﺒﯿﻖ آﻧﻬﺎ ﺑﺎ آراء ﺻﺪراﻟﻤﺘﺄﻟﻬﯿﻦ ﭘﺮداﺧﺘﻪ ﻣﯽﺷﻮد. رﺿﺎ ﻧﻘﺶ ﻣﺎﯾﻪﻫﺎ و ﻣﻮﺿﻮﻋﺎت ﺷﺎﺧﺺ ﻋﺎﺷﻘﺎﻧﻪ و ﻋﺮﻓﺎﻧﯽ در ﺟﻬﺎن ﭘﯿﺮاﻣﻮن راﮐﻪ در ﻻﯾﻪﻫﺎي ﭘﻨﻬﺎن آﺛﺎرش ﻣﻮﺟﻮد اﺳﺖ، ﺑﻪ ﻃﻮر رﻣﺰﮔﻮﻧﻪ ﻧﻤﺎﯾﺎن ﻣﯽﺳﺎزد. ﻋﺸﻖ ﻋﻔﯿﻒ در آراء ﻣﻼﺻﺪرا، ﮐﻪ در ﺑﻌﻀﯽ از آﺛﺎر رﺿﺎ، ﻣﻄﺎﺑﻖﻫﺎي ﺗﺼﻮﯾﺮي آن را ﻣﯽﺗﻮان ﯾﺎﻓﺖ، از ﻣﺸﺎﻫﺪه ﺷﺮوع و ﺑﻪ ﺗﻤﺜﯿﻞ و ﺗﻤﺜﻞ ﻣﻨﺘﻬﯽ ﻣﯽﺷﻮد ﮐﻪ اﯾﻦ ﺧﻮد ﺳﺮآﻏﺎز دﯾﮕﺮي اﺳﺖ و در اﻧﺘﻬﺎ ﺑﻪ اﺗﻬﺎد ﻋﺎﺷﻖ و ﻣﻌﺸﻮق و ﯾﮑﯽ ﺷﺪن ﺑﺎ ﺧﺪاوﻧﺪ و وﺣﺪت وﺟﻮد ﺧﺘﻢ ﻣﯽﺷﻮد. ﻫﺪف از ﭘﮋوﻫﺶ ﺣﺎﺿﺮ دﺳﺘﯿﺎﺑﯽ ﺑﻪ ﻣﺒﺎﻧﯽ ﭘﻨﻬﺎن و آﺷﮑﺎر ﻋﺎﺷﻘﺎﻧﮥ ﻧﻬﻔﺘﻪ در آﺛﺎر رﺿﺎ ﻋﺒﺎﺳﯽ، ﻫﻨﺮﻣﻨﺪدرﺑﺎر ﺷﺎه ﻋﺒﺎس و ﺗﻄﺒﯿﻖ و ﻣﻘﺎﯾﺴﮥ آنﻫﺎ ﺑﺎ ﻣﺆﻟﻔﻪﻫﺎي ﻓﮑﺮي ﺻﺪراﻟﻤﺘﺄﻟﻬﯿﻦ در ﺑﺎب ﻋﺸﻖ اﺳﺖ. از اﯾﻦ روي، اﺑﺘﺪا آراء ﺻﺪرا در زﻣﯿﻨﻪ ﻋﺸﻖ ﺑﯿﺎن ﻣﯽﺷﻮد و در اداﻣﻪ ﭼﻨﺪ ﻧﻤﻮﻧﻪ از آﺛﺎر رﺿﺎ ﻋﺒﺎﺳﯽ ﮐﻪ از ﻧﻈﺮ ﻣﻀﻤﻮن، ﺗﻐﺰﻟﯽ ﻫﺴﺘﻨﺪ و ﺑﻪ ﻧﻈﺮ ﻣﯽرﺳﺪ ﺑﺎ آراء ﺻﺪرا در زﻣﯿﻨﻪ ﻋﺸﻖ ﻫﻤﺎﻫﻨﮓ ﻫﺴﺘﻨﺪ، ﻣﻮرد ﺗﺤﻠﯿﻞ ﻗﺮار ﺧﻮاﻫﺪ ﮔﺮﻓﺖ. ﺑﺪﯾﻦ ﺗﺮﺗﯿﺐ، در ﺗﺤﻘﯿﻖ ﺣﺎﺿﺮ ﺑﺎ روش ﺟﻤﻊ آوري اﻃﻼﻋﺎت و داده ﻫﺎ ﺑﻪ ﺻﻮرت ﮐﺘﺎﺑﺨﺎﻧﻪاي از ﮐﺘﺎبﻫﺎي ﻣﻮﺟﻮد و اﺳﻨﺎد ﺗﺼﻮﯾﺮي ﻣﻮزهﻫﺎ و ﺑﺮرﺳﯽ دادهﻫﺎ، ﺑﻪ ﺷﯿﻮة ﺗﺤﻠﯿﻠﯽ، ﺗﻄﺒﯿﻘﯽ، ﯾﺎﻓﺘﻪﻫﺎﯾﯽ ﮐﻪ ﺑﻪدﺳﺖ آﻣﺪ ﻣﺒﯿﻦ آن اﺳﺖ ﮐﻪ اﮐﺜﺮ آﺛﺎر ﺗﻐﺰﻟﯽ رﺿﺎ ﻋﺒﺎﺳﯽ ﺑﺎ ﻣﺆﻟﻔﻪﻫﺎي ﻓﮑﺮي ﻣﻼﺻﺪرا در ﺑﺎب ﻋﺸﻖ ارﺗﺒﺎط دارﻧﺪ.

The romantic purpose of Persian poems in painting returned to times before Isfahan's school. Reza Abbasi’s works, including romance and lyrical themes, divised a new style in Iranian design and painting.The inner connection of various components of Lyrical works of Reza with the new composition not as the past works but away from the perspective, the shadow and in harmony of new Sadr-al-Mutalehin illustrate the culture and art of first shah abbas era's. Reza Abbasi’s works are of different romantic, mystical, epic and social themes. In the current study some of the artist’s images with romantic themes are analyzed in line with the ideas of Mulla Sadra. Reza mysteriously reveals the romantic and mystical motifs and subjects in the world around that are obvious in the hidden layers of his works. Afif's love can be found in the Molasadra's view and in some of Reza's work and start with an observation and ends with some allegories which is itself another beginning and at the end finished by accretion of love and beloved and being unify with GOD and unification.The objective of this study lies in the achievement of the principles of covert and overt romantic moods in the works of Reza Abbasi, Shah Abbasid artist, and matching and comparing them with the intellectual components of Mulla Sadra on Love. Thus, first, the views of Sadra in love will express and in the following, some of the works of Reza Abbasi, which are lyrical in contents and it seems to be alingned with Sadra’s votes on love, will be analyzed. To achieve this, in this study, according to the analysis, comparative and collection methods and through library data collection from the available books, museums and analysis of the gathered data, the gained results support that most of Reza Abbasi’s works are connected to Sadra’s intellectual components on Love.