پديد آورندگان :
گلابي، بايزيد دانشگاه آزاد اسلامي واحد سنندج، سنندج، ايران , باثريدي، قادر دانشگاه آزاد اسلامي واحد سنندج - گروه معماري، سنندج، ايران , طهماسبي، ارسلان دانشگاه آزاد اسلامي واحد سنندج - گروه معماري، سنندج، ايران , سحابي، جليل دانشگاه آزاد اسلامي واحد سنندج - گروه علوم اجتماعي، سنندج، ايران
چكيده لاتين :
Introduction The present research seeks to explore the meaning of the architecture of the native homes of the Mukherian region of Iran, which is based on the senses and perceptual experience. The ultimate goal of the research is to discover the deep relationship between them and express a scientific method for the visualization of the sensory perception of architecture and the perceptual experience of the home with the disclosure of the degree of conflict between the senses and the space and the importance of the characteristics of the perceived experience in the home Mokrian is The subtle phenomenon of the house in order to explain our conscious relationship between the world and the region in the pristine, rich, and less studied region of "Mokri@n", in the south of the West Azarbayjan province, and mainly Kurdish, has been emphasized with the emphasis on the attitude and perception of humans at home and sought to identify The main structures of the relation between human senses, the perception of the space created by the case study of a home-the-home-room, and the discovery of the deep meaning of the perception of the home and the experience of the home in the area. The present research seeks to answer these two main questions: 1. How does the discovery or recognition of the concepts involved in the senses and perceptual experience of the home, through phenomenology, come about? 2. With the reduction of the dignity of the five senses and the extreme focus on the sense of vision in today's world of vision, what other senses of the human being are the physical dimensions of the houses of the Mokrian region and how will they emerge and be linked to them?
Methodology
The present study was initially conducted using a phenomenological approach and then a qualitative descriptive method and its analytical system is a qualitative and quantitative method. The seven-step multivariate method and MAXQDA software were used to analyze the information and provide the core category and SPSS software was used to measure it. . In this study, the phenomenological method was first used to extract the meaning of the literary concept of this concept and the experience of living in it. At the beginning, the researcher with the presence in the studied area and immersion in the architecture of the Mokarian homes and conducting open and deep interviews and the recording of field writings under the headings of life experience and characteristics of the information gathering as a component of one We have been building the house called "Present (bread baking space)". In order to compare the sensitivity of the senses in space, according to the amount of repetition of each phrase, a sensation was used in the interviews. ANOVA and LSD tests were used. In order to measure the importance of the expressions extracted from the characteristics, based on the five Likert spectrum from the knowledgeable experts A total of 31 individuals (out of a total of 67 local experts at postgraduate level, according to the nobility on the subject, only 31 were announced), and Friedman's nonparametric test was used. It is worth mentioning that SPSS software was used to perform the above tests. Cronbach's alpha, KMO, and Bartlett tests were used to evaluate the reliability and structural validity of the questionnaire provided by the experts in SPSS software.
Results and Discussion The important interpretations with the participation of residents and the emphasis on "sensory perception" and "the nature of human experiences" were identified and classified under 45 critical terms; then each of the terms was interpreted and clustered according to similarity or difference. Finally, 5 themes of meaning were identified under the titles of the taste of memory, tangible touch, sentimental fragrances, nature rhythms, systematic disturbance, and under the core category of "Extremely Exposed Exposure". An Intimate Man with Objects and Architectural Space. “ANOVA and LSD tests were used to measure the amount of conflict between five senses and space. In the study of important interpretations and phrases focused on the perceptual experience of space, four themes of meaning under the titles of synonyms, the linguistic space, between tranquility and seduction, moderate order under the category of "linguistic communication between man, building and environment". In order to measure the importance of the extracted terms from the perceptual experience of space characteristics, the reliability and reliability of the measured components were measured using Cronbach's alpha, KMO and Bartlett's alpha. These nine theme themes were considered as the main components of the meaning of the Mukarian Native House, and the core category was identified. Then, in the third stage, a core category called "Mukrian House": the identity of man, human space and environment "was chosen as the true meaning of the houses of the Mokrian region of Iran.
Conclusion The findings of the research show that, along with the conscious presence of humans in space, the ultimate perception of space is based on the range of excitements without any apparent superiority (notably visibility), and ultimately, actually, this personality is intrinsic to the existence of the house and its environment. and with them one gets. The findings of the qualitative section of the research indicate that, in the process of perception, our brain combines visual, auditory, olfactory, and even tactile information in order to obtain an integrated representation of the conscious presence of man with all his senses in a space. The process of perception has to be considered, and practically this is the essence that permeates the existence of the space of the house and its environment and becomes one with them. The findings of the quantitative section, while confirming the findings of the qualitative section, indicate that in sensory perception of space, all the senses participate in the same way, and the final perception of space is based on the range of excitements without any apparent superiority (notably visual).
