ﺑﺮرﺳﯽ زﻧﺎﻧﮕﯽ در ﻏﺰل ﻣﻌﺎﺻﺮ زﻧﺎن (ﻣﻄﺎﻟﻌﮥ ﻣﻮردي: ﻧﺠﻤﻪ زارع، ﮐﺒﺮي ﻣﻮﺳﻮي، ﭘﺎﻧﺘﻪآ ﺻﻔﺎﯾﯽ)

Investigating Womanliness in Women's' Contemporary Ode (Case Study: Najmeh Zareh, Kobra Musavi Ghahfarrokhi, Pantea Safayi)

ﻧﻮع ﻧﮕﺎه ﻫﺮ ﺷﺎﻋﺮ ﻧﺴﺒﺖ ﺑﻪ ﺟﻬﺎن ﭘﯿﺮاﻣﻮن ﺧﻮﯾﺶ و ﺷﯿﻮة ﺑﺮﻗﺮاري ارﺗﺒﺎط ﺑﺎ آن، ﻫﻤﭽﻨﯿﻦ اﺣﺴﺎﺳﺎت و ﻋﻮاﻃﻒ دروﻧﯽ ﺧﻮد و ﺑﻪﮐﺎرﮔﯿﺮي زﺑﺎﻧﯽ درﺧﻮر اﯾﻦ ﻧﻮع ﻧﮕﺎه و ﻋﻮاﻃﻒ، ﺧﻂ ﺳﯿﺮ ﺷﻌﺮي او را ﻧﻤﺎﯾﺎن ﻣﯽﮐﻨﺪ. اﯾﻦ ﺗﺤﻘﯿﻖ ﮐﻮﺷﯿﺪه اﺳﺖ ﺗﺎ اﺷﻌﺎر ﭘﺎﻧﺘﻪآ ﺻﻔﺎﯾﯽ، ﮐﺒﺮي ﻣﻮﺳﻮي و ﻧﺠﻤﻪ زارع را ﺑﻪ ﻟﺤﺎظ اﻧﺪﯾﺸﻪ و زﺑﺎن زﻧﺎﻧﻪ ﺑﺮرﺳﯽ ﮐﻨﺪ. ﺑﻪ اﯾﻦ ﻣﻨﻈﻮر ﻧﺨﺴﺖ وﯾﮋﮔﯽﻫﺎي ﻋﺎﻃﻔﯽ زﻧﺎﻧﻪ در زﺑﺎن ﺷﻌﺮي آﻧﺎن ﻣﻮرد ﻣﻄﺎﻟﻌﻪ ﻗﺮار ﮔﺮﻓﺘﻪ اﺳﺖ. در ﺷﻌﺮ ﻫﺮ ﺳﻪ ﺷﺎﻋﺮ ﻋﺸﻖ و ﻋﻮاﻃﻒ اﻧﺴﺎﻧﯽ درون ﻣﺎﯾﮥ اﺻﻠﯽ ﻏﺰلﻫﺎي آﻧﺎن را ﺗﺸﮑﯿﻞ ﻣﯽدﻫﺪ. ﯾﺄس و اﻣﯿﺪ را ﺑﺎ ﺑﺴﺎﻣﺪﻫﺎي ﻣﺘﻔﺎوت ﺗﻮأﻣﺎن در ﺷﻌﺮ آنﻫﺎ ﻣﯽﺗﻮان ﻣﺸﺎﻫﺪه ﮐﺮد. ﺗﺄﺛﯿﺮ ﻣﺬﻫﺐ و ﺑﺎورﻫﺎي دﯾﻨﯽ در ﺷﻌﺮ آنﻫﺎ ﻣﻮرد ﺑﺮرﺳﯽ واﻗﻊ ﺷﺪه و ﻫﻤﭽﻨﯿﻦ ﻗﺪرت ﺗﺼﻮﯾﺮﮔﺮي و ﺧﻼﻗﯿﺖ ﺑﺎ ﻧﮕﺎﻫﯽ زﻧﺎﻧﻪ در ﺷﻌﺮ آنﻫﺎ ﺗﺒﯿﯿﻦ ﺷﺪه اﺳﺖ. در ﻧﻬﺎﯾﺖ ﺗﻔﺎوﺗﻬﺎ و ﺷﺒﺎﻫﺖﻫﺎي ﺷﻌﺮي ﺎن ﺑﺎ اﺳﺘﻨﺎد ﺑﻪ ﻣﺤﺘﻮاي ﺷﻌﺮﺷﺎن ذﮐﺮ ﺷﺪه اﺳﺖ.

The way a poet looks at the world and connects with that, also their inner feelings, emotions, and utilizing a proper language to express these feelings specifies their style of poetry. This article tries to investigate the poets of Pantea Safayi, Kobra Musavi and Najmeh Zareh based on their thought and feminine language. To achieve this goal, feminine emotion in their poetry language has been studied at first. In all these poetry, love and human emotions are the main contents that organizes the content. Hope and disappointment can be observed in their poetry with different frequencies, at the same time. Effect of religious branch and religious beliefs have been investigated in their poems, also their creativity and imagination power with a feminine look has been explained. In the end, differences and similarities in their poets are mentioned considering their poetry content