نقد زيباشناختي شعر ساده‌نويسي (سهل و ممتنع)

A critical study of simple writing of poetry Aeas the tically (Possible and Impossible)

جريان ساده ­نويسي در شعر دهه 1380 واكنشي بود در برابر جريان شعري دهه 1370 كه به پيچيدگي، دشواري و مخاطب ­زدايي دامن مي­ زد؛ از اين رو شاعران اين جريان در جهت جذب مخاطب بيشتر شعر را از هر گونه پيچيدگي دور مي ­دارند. در اين مقاله به بررسي اين جريان شعري با دو رويكرد ساختاري و محتوايي پرداخته شده است. نتيجه آنكه اين جريان شعري از وجوه زيباشناختي شعر به دور است و هرچند سعي در جذب مخاطب دارد ولي مخاطب گزيني ملاك و معياري براي برتري شعر و يا هنر نمي ­تواند بود. از سوي ديگر اين جريان نوگرايانه چيزي بر دفتر شعر و ادب پارسي نيفزوده است و ظرفيت­هاي زباني و زيباشناختي و هنري شعر را توسعه نبخشيده است. همچنين اين جريان شعري را نمي ­توان ادامه جريان شعر سهل و ممتنع در ادوار گذشته شعر فارسي قلمداد كرد.

The trend of simple writing of poetry in the decade of 1380 was a reaction to that of 1370 focusing mainlyom complicity and difficulties and ignoring the audience. Thus, the poets of this trend tried to be for away from complexities to attract more audience to poetry. The present article tries to study this trend while using the Structural and content approaches. The result is that this poetic trend is devoid of poetical aesthetics, though it attempts to attract the addressees. However, the choice of addressee can't be a proper criterion for the preference of poetical or artistic works. On the other hand, this modernist trend has had no benefit for the poetry and Persian literature or it hasn't developed the aesthetic and linguistic capacity of the poetry. Moreover, this poetical trend can't be considered as the continuation of the poetic simple writing in the past eras in Persian poetry.