پديد آورندگان :
ريشهري، حسين دانشگاه هنر اصفهان , ناظري، افسانه دانشگاه هنر اصفهان - دانشكده هنرهاي تجسمي , شايگان فر، نادر دانشگاه هنر اصفهان - دانشكده ي پژوهش هاي عالي هنر و كارآفريني، اصفهان، ايران
كليدواژه :
شبيه سازي فرهنگي , رسانه , هنرهاي تجسمي معاصر , ژان بودريار , كاترينا فريچ
چكيده فارسي :
ژان بودريار معتقد است كه فرهنگ در حال توليد شدن و با هدايت رسانه‌ها دائماً در حال تغيير است. به نظر او، ما وارد عصر «شبيه‌ها» شده‌ايم. شبيه‌ها نشانه‌هايي هستند كه مانند رونوشت يا الگوي اشياء يا رويدادهاي واقعي عمل مي‌كنند. از آنجايي كه رسانه‌ها در شبيه سازي فرهنگي نقش بهسزايي داشته و همچنين بر هنر معاصر تأثيرگذار بوده‌اند، هدف اين مقاله با عطف به آراي بودريار، مطالعه بازنمود شبيه‌سازي فرهنگي متأثر از رسانه‌ها در آثار هنرمند معاصر آلماني «كاترينا فريچ» بوده و در پي پاسخگويي به اين سؤال است كه: «چگونه شبيه‌سازي فرهنگي در آثار او بازنمود پيدا كرده است؟». اين مقاله با روش توصيفي – تحليلي و تطبيقي به مطالعه آثار اين هنرمند به ويژه اثر ضيافت او مي‌پردازد. نتايج تحقيق نشان مي‌دهد كه بازنمود اين شبيه‌سازي فرهنگي، وانمودهاي است كه هم نظريه‌پرداز و هم هنرمند، هركدام به سياق خود به طور تمثيلي بيان كرده‌اند. وجوه اشتراك اثر كاترينا فريچ و آراي بودريار همچون تكرار و تكثير، بازتوليد، شبيه‌سازي، مصرفگرايي، توليد نشانه‌ها و فرا واقعيت نشان مي‌دهد كه هنرمند با استفاده از تكرار و تكثير، بازتوليد، شبيه‌سازي، مصرفگرايي و توليد نشانه‌ها، بازنمودي از شبيه‌سازي فرهنگي را با اثر خود ارائه داده است.
چكيده لاتين :
Jean Baudrillard believes that culture is developing like a pseudo-event and with the guidance of the media, it is constantly changing. In his opinion, we have entered a similar age. Similarities are signs that act as a transcript or pattern of objects or real events. Since media play a significant role in cultural simulation, the purpose of this article is to study the representation of cultural simulation of the media in contemporary visual arts and considering Baudrillard's theory analyzed the works of Katrina Fritsch and this poses the question that how does cultural simulation be represented in visual art? This article is descriptive-analytical and comparative and studying the works of this contemporary artist, especially the effect of his banquet. The results of the research show that the representation of this cultural simulation is inevitable that both theoreticians and the artist have allegorically expressed their own terms. The contributions of Katrina Fritsch and Jean Baudrillard's votes are shown that representation of cultural simulation in visual arts can have features that there is a theory in society. They will enjoy the residents of a community in a lifestyle, interests and wishes of the same patterns that they provide to the communicative devices. Culture, which has always been one of the most important frontiers of socialism and socialism now, with electronic media, it can't be as frontier as the past. We can see the most intense cultural mode, simulation, in this work. The people present at the banquet have been simulated so much by the technology of media that they are not readily identifiable. However, such a culture would rarely arise with such extreme conditions. In this simulation work, a sign is a transcript or real pattern of a person who, according to Jean Baudrillard, in postmodern times, is no longer a transcript or a copy, and not a replica of it. People have sat down on a desk as consumer media technology and have been so obliterated that they have fallen into a trance. Characteristics of work's Katharina Fritsch, including repetition and reproduction, reproduction, simulation, consumerism, and the production of signs, metaphor and emergence of new identity signs that artist using these features, imparts cultural simulation allegorically. The banquet effect was allegorically shown that similarity and hyper-reality that Baudrillard speaks of how to happen in the next world. Creation of human beings with the same characteristics and simulated super-reality that involves the audience in thinking. The artist, with the use of black color, has expressed this fears about the future. Finally, it must be said, simulation of Baudrillard and work's Katharina Fritsch both are the futures, each of which expresses metaphysics in their own way. The contributions of work's Katrina Fritsch and Baudrillard's votes are showed that representation of cultural simulation in visual arts can have features that there is a theory in society. Given the importance of the subject, it is suggested that researchers investigate cultural simulations from different perspectives, such as the collapse of the social and actuality of reality.
