مطالعه بازنمود شبيه‌سازي فرهنگي در كشتزار مورچگان پرچمي اثر يوكينوري ياناگي بر اساس آراي ژان بودريار

The Study of Representation of Cultural Simulation in the Context of the World Flag Ant Yukinori Work's Yanagi Based on the Theory of Jean Baudrillard

يوكينوري ياناگي هنر مفهومي را با كاربرد نشانه‌هاي هويتي-فرهنگيِ ملت‌هاي مختلف ارائه مي‌دهد. او با خلق اثر كشتزار مورچگان پرچمي، استعاره‌اي از بيهودگي ملي‌گرايي آفريد. ترس و يا واقعيت تغيير هويت‌هاي فرهنگي در اين اثر در گستره زندگي روزمره، فرايند شبيه‌سازي وسيعي را به نمايش مي‌گذارد. به نظر ژان بودريار از پايه‌گذاران تئوري پست‌مدرن فرانسه، ما وارد عصر شبيه‌ها (وانموده ­ها) شده‌ايم. شبيه‌ها نشانه‌هايي هستند كه به‌منزلۀ رونوشت يا الگوي اشياء يا رويدادهاي واقعي عمل مي‌كنند. در دوران پست‌مدرن شبيه‌سازي‌ها ديگر رونوشت يا كپي واقعيت نيستند، بلكه آن‌ها همزمان ايدۀ واقعيتي را كه مدعي بازنمايي آن هستند، به وجود مي‌آورند. ازاين‌رو، پژوهش حاضر باهدف مطالعه شبيه‌سازي فرهنگي در اثر يوكينوري ياناگي با در نظر گرفتن آراي ژان بودريار، اين سؤال را مطرح مي‌كند كه چگونه شبيه‌سازي فرهنگي در اثر اين هنرمند بازنمود پيدا مي‌كند. اين مقاله با روش توصيفي-تحليلي به مطالعه اثر كشتزار مورچگان پرچمي مي‌پردازد. نتايج نشان مي‌دهد كه ياناگي، متناسب با پويايي جامعه بشري به لحاظ ماهيت و نحوه اجرا، با استفاده از طرح پرچم‌هاي مختلف و مورچه‌هاي زنده، نوع متفاوتي از ارتباطات بين كشورها را كه منجر به شبيه‌سازي مي‌شود به شيوه تمثيلي بيان كرده است.

Yukinori Yanagi, a Japanese artist, offers conceptual art with the application of the cultural identity of the various nations. He created a metaphor of the futility of nationalism by creating the work of the World Flag Ant Farm. The fear or the fact of changing cultural identities through the use of Yanagi in the context of everyday life illustrates the great simulation process Which is in the opinion of Jean Baudrillard was a founder of French postmodern theory, he believes that signs and meanings under the guidance of advanced media, since endlessly to multiply and increase the fixed meanings of signs, communicate word and object, and distinguish truth from error and reality from illusion, would not be possible. According to Baudrillard we have entered the era of simulation. Simulation are signs that constitutes the transcripts or the actual act of objects or events. Simulations on postmodern age is no longer a transcript or copy reality, not a replica of it. Therefore, this article aims to analyze and describe Baudrillard's simulation of the study examined the effect of Yukinori Yanagi and the question of how cultural simulate in the visual arts represented? an‎d with the method descriptive - analytical and comparative study of the work of Yanagi.The results show that Yanagi commensurate with the dynamics society stated a different kind of communication between countries that led to assimilate to an allegorical method.Therefore, this article aims to analyze and describe Baudrillard's simulation of the study examined the effect of Yukinori Yanagi and the question of how cultural simulate in the visual arts represented? an‎d with the method descriptive - analytical and comparative study of the work of Yanagi.The results show that Yanagi commensurate with the dynamics society stated a different kind of communication between countries that led to assimilate to an allegorical method.Therefore, this article aims to analyze and describe Baudrillard's simulation of the study examined the effect of Yukinori Yanagi and the question of how cultural simulate in the visual arts represented? an‎d with the method descriptive - analytical and comparative study of the work of Yanagi.The results show that Yanagi commensurate with the dynamics society stated a different kind of communication between countries that led to assimilate to an allegorical method.Therefore, this article aims to analyze and describe Baudrillard's simulation of the study examined the effect of Yukinori Yanagi and the question of how cultural simulate in the visual arts represented? an‎d with the method descriptive - analytical and comparative study of the work of Yanagi.The results show that Yanagi commensurate with the dynamics society stated a different kind of communication between countries that led to assimilate to an allegorical method.Therefore, this article aims to analyze and describe Baudrillard's simulation of the study examined the effect of Yukinori Yanagi and the question of how cultural simulate in the visual arts represented? an‎d with the method descriptive - analytical and comparative study of the work of Yanagi.The results show that Yanagi commensurate with the dynamics society stated