كليدواژه :
مشارق‌الد راري , حُسن , جمال , كمال , ملاحت , صباحت
چكيده فارسي :
اند يشمند ان مسلمان بد ون ترد يد د ر حوزه زيباشناسي و زيبايي‌شناسي تأملات جد ي و مهمي د اشته‌اند ؛ هم د ر حوزه مباحثات فلسفي، هم كلامي، هم عرفاني و هم حتي قرآني و روايي. د ر اين ميان، حوزة عرفان به د ليل برجسته بود ن مفاهيمي چون عشق و كمال، د امنه فراخ‌تري براي ظهور مباحث علم‌الجمال يا زيبايي‌شناسي د اشته است. رسالة تائيه معروف به نظم‌السلوك يا نظم‌الد ُرّ اثر ابن فارض يكي از شورانگيزترين و د ر عين حال عالي‌ترين منظومه‌هاي عرفاني د ر تمد ّن اسلامي است. ابن فارض د ر اين قصيد ه هفتصد وپنجاه بيتي، زيباترين و عميق‌ترين مباحث عرفاني را د ر پرتو عشق شرح د اد ه است. ازجمله كساني كه به شرح مشارق پرد اخته صد رالد ين قونوي است كه شاگرد نامد اري چون سعيد الد ين فرغاني د ارد . شاگرد بلند مرتبه‌اي كه صد رالد ين د ر مقد مة خود برمشارق‌الد راري، او را افتخارالمشايخ خواند . اين كتاب شرح فارسي قصيد ة تائيه ابن فارض است. فرغاني د ر شرح ابيات قصيد ه، آنگاه كه ابن فارض به بيان حُسن و جمال مي‌پرد ازد نكات نغز و ارزشمند ي د ر باب زيبايي ارائه مي‌د هد . اين مقاله شرح جامع نقطه‌نظرات سه بزرگ حكمت اسلامي است از يك‌سو ابن فارض و از سوي د يگر صد رالد ين قونوي و نهايت سعيد الد ين فرغاني. زيرا ترد يد ي نيست فرغاني صرفاً يك ناقل نيست و د ر موارد ي كاملاً رأي خود را شفاف ارائه كرد ه است.
چكيده لاتين :
His tory of thought in Islamic civilization shows Islamic
wise men and mys tics have immersed beauty,
which have been theological, not aes thetical approach
and have created many important and contributed
ideas in knowing beauty. One of the mos t
important aspects of s tudding beauty in Islamic
mys ticism and wisdom is its relation with perfection,
from Farabi to Ibn-sina and from Sheikh Ishragh
to Ibn-Arabi’s followers. One of the mos t important
works in this subject is the explanation of
Nazm al suluk or Ghasideh Taeiyeh by Ibn al-Farid
or Ibn Farid (Arabic, عمر بن علي بن الفارض `Umar
ibn `Alī ibn al-Fārid) (22 March 1181 – 1234) by
Said al Din Farghani , who has been Sadr-al-din
Ghonawi’s s tudent. The poetry of Shaykh Umar Ibn
al-Farid is considered by many to be the pinnacle of
Arabic mys tical verse, though surprisingly he is not
widely known in the Wes t. Among Iranian mys tical
Islamic texts, this book is one of the mos t important
and famous works. For this reason, many Sufi elders
have described and interpreted it. For example, Sadr
al-Din al-Qanooni, who is the greates t s tudent of
Ibn Arabi. During his discussions, Sadr al-Din described
Nazm al suluk or Ghasideh Taeiyeh. One of
Sadr al-Din Qanooni’s great s tudents was Said al
Din Farghani. Sadr al-Din praised this s tudent very
much in her various speeches. After the death of
Sadr al-Din, Saeed al-Din Ferghani, collected the
words of her mas ter about the Ghasideh Taeiyeh. he
wrote a work on this subject and named it mashariq
al Darari. Of course, this book is not only Sadr al-
Din’s commentary on Ghasideh Taeiyeh, but also
Ferghani’s comments Mashreq is a very important
work, especially in Shiite mys ticism. The main focus
of the Ghasideh Taeiyeh is the expression of mys tical
s tages with a complete emphasis on love. But the
important point in Islamic mys ticism is the relationship
between love and beauty. Muslim mys tics cannot
separate beauty from love. Because God is the
absolute manifes tation of love and beauty. Therefore,
both Ibn Farid and Sadr al-Din and Ferghani
have spoken about the relationship between love
and beauty in their works Especially in mashariq al
Darari By Said al Din Farghani. Another issue that
has been raised in the relationship between beauty
and love is the relationship between perfection and
beauty. For Muslim thinkers, the relationship between
perfection and beauty has been a matter of
course. This paper explains the relation between
beauty and perfection to Faraghani’s view in expatiation
of Nazm al suluk. In this book, she has tried
to provide an accurate concept of beauty. Of course,
his approach in this work is more of a mys tical and
theological approach, But in the sources of Islamic
aes thetics, this book is considered an important work
In this article, I have tried to explain the mys tical
approach to beauty in Islamic civilization, Emphasizing
the special view that Muslims have in the
divine worldview. Naturally, such research requires
research in a wide variety of sources
