كليدواژه :
داستانهاي پهلواني عامه , حسين كرد شبستري , آيين عيّاري , شخصيت عيّار
چكيده فارسي :
داستان هاي مربوط به پهلوانان و عيّاران، محبوبترين داستان هاي شفاهي عامه هستند كه اغلب مدّتها پس از روايت به صورت مكتوب درآمده اند. ابومسلم نامه، حمزه نامه و سمك عيّار از قديم ترين اين داستانها هستند و حسين كرد شبستري از جمله داستا نهاي عيّاري نسبتاً متأخر و از داستانهايي است كه در دورۀ صفويه روايت شده است و آن را ادامۀ سنّت عيّاري و نقل شفاهي داستانها دانسته اند. با وجود اين، بررسي داستان حسين كرد، نشان ميدهد كه شخصيت عيّار اين داستان با عيّار داستانهاي پيش از آن، تفاوتهاي ظاهري و رفتاري معناداري دارد. اين مقاله با روش توصيفي- تحليلي به بررسي اين تفاوتها پرداخته است و نتايج اين بررسي نشان ميدهد كه حسين كرد، پهلواني عامي، تكرو و فاقد ظرافت هاي رفتاري عيّاراني مثل سمك است و برخلاف عيّاران پيش از خود كه بازيگراني هنرمند و نمونۀ كامل پهلوانان آگاه، دانش‌آموخته، زبانآور و زيركاند، فاقد زيركي و دورانديشي، توانايي ها و ظرافت هاي زباني و مهارت هاي سخنوري است.
چكيده لاتين :
The stories about heroes and Ayyars are the most popular oral stories, which have often been written a long time after their emergence and narrating. “Abumuslemnama”, “Hamzaname” and “Samak-e Ayyar” are some of the oldest stories, and “Hossein Kurd-e Shabestari” is almost the newest sample of these stories. “Hossein Kurd-e Shabestari” is one of the stories that has been narrated during the Safavid era, and it has been considered as the continuation of Ayyari tradition and oral narration of stories. However, the analysis of the story of “Hossein Kurd-e Shabestari” shows that the character of Ayyar in this story has significant superficial and behavioral differences with previous stories. Using descriptive and analytical methods, this paper aims to probe these differences. The results of this research shows that “Hossein Kurd” was a common, maverick hero who did not have any heroic behavioral delicacies of Ayyars like Samak, and unlike the previous characters of Ayyars who were examples of conscious, educated, articulate and knowledgeable heroes, he is an illiterate hero who does not possess the privilege of acuteness, prudence and the skills of eloquence. In other words, the results of this paper show that in the popular literature stories, the character of a conscious hero has been replaced with the illiterate hero who has no awareness and rationality.
