پديد آورندگان :
اميريان دوست، شاهرخ دانشگاه تهران - پرديس بين المللي كيش , آژند، يعقوب دانشگاه سوره تهران - دانشكده هنر , آقايى، ناصر دانشگاه تهران - دانشكده هنرهاى زيبا - گروه هنرهاى نمايشى و موسيقى
كليدواژه :
آيين , ايران , نشانه شناسي , نماد , نگاره , پيش از تاريخ
چكيده فارسي :
در ايران پيش از تاريخ، پديده هاي هنري_انساني بسياري قابل شناسايي است كه با مطالعه بر روي آنها كاربست نماد در ساختار آنها مشهود مي آيد. از ميان اين پديدارهاي هنري به هنر تصويرسازي بر روي سفالينه ها بايد اشاره كرد. پديدارشناسي اينگونه از پديدارها، نياز به رمزگشايي نشانه هاي نمادين كاربردي در ساختار آنها را دارد. علم نشانه شناختي و رويكردهاي وابسته آن، جهت پديدارشناسي تبار چنين پديده هايي و نيز رمزگشايي از اين نمادها كارآمد خواهد بود. بخش قابل توجه اي از هنر مزبور به نگاره گري تصاويري انساني در حال اجراي موزون نمادين آييني مربوط است. اين مقاله سعي بر آن دارد تا با تكيه بر مطالعات، روش ها،آراء و رويكردهاي نوين علم نشانه شناسي به خوانش و رمزگشايي تصاوير باقي مانده از حركات نمادين آييني بر روي سفالينه ها به مثابه اثر هنري و متن تصاويرسازي شده هنري_ فرهنگي ايران در پيش از تاريخ، نائل آيد. به واسطه اين مطالعه،هم بخشي از تاريخ مطالعات هنرهاي تجسمي ايران مورد واكاوي قرار مي گيرد و هم بخش مغفول مانده باوري، فرهنگي و آييني حركات آييني_نمادين موزون در گذشته ايران، به مثابه هنر آييني و نمادين خوانش خواهد شد. نتيجه بنيادين اين پژوهش آشكار خواهد كرد كه بخش اعظم تصاوير ساده سفال نگاره ها پيش از تاريخ در ايران به صورت نمادگرايانه اي به تصوير در آمده اند كه براي خوانش، نياز به رمزگشايي نشانه گي دارند.
چكيده لاتين :
In prehis toric Iran, many phenomena can be identified, and by s tudying them, the function of the symbol in their s tructure is evident. Among these artis tic phenomena, the art of illus tration on pottery should be mentioned. Phenomenology This type of phenomenon requires the decoding of symbolic signs used in their s tructure. Cognitive Science and its related approaches, will be effective in genealogizing such phenomena as well as deciphering these symbols. A significant part of this art is related to painting human images performing symbolic ritual dances. Painting on pottery is an Iranian invention. This article tries to rely on the s tudy, methods, ideas opinions and new approaches of semiotics to read and decipher the remaining images of symbolic and ritual dances on pottery, as a work of art and the illus trated text of Iranian art and culture, Achieve his tory. Through the s tudy, a part of his tory of Iranian visual arts s tudies is also analyzed and the neglegted part of the belief, calture and ritual of ritual-symbolic rhythmic movements in the pas t of Iran will be read. The fundamental result of this research will reveal that mos t of the simple images of pottery painting in prehis toric Iran are symbolically depicted and need to be deciphered for reading. Researchers have dated Iranian his tory since the time of the Achaemenids and the emergence of calligraphy. This article dates back to Prehis toric times and It examines symbols that have been widely used in rituals. What has become clear to international researchers is that humans have long used symbols for a variety of reasons and in The meantime, ritual symbols are a big part of it. In the his tory of Iranian art, one can find a corner of ritual symbols. This article, examines the so-called ritual-symbols. Remains of pottery, pottery and other utensils, as well as various petroglyphs and sculptures, are a major part of these works. In the meantime, Ritual symbols have been of special importance in prehis toric human ritual-mythical life. The s tudy shows that the presence of ritual dances in order to induce symbolic concepts has had a practical effect. In this meditation, an attempt is made to document the surviving works of art from prehis toric Iranian his tory. A significant part of this art is related to painting human images performing symbolic ritual dances. Painting on pottery is an Iranian invention. This article tries to rely on the s tudy, methods, ideas opinions and new approaches of semiotics to read and decipher the remaining images of symbolic and ritual dances on pottery, as a work of art and the illus trated text of Iranian art and culture, Achieve his tory. Through the s tudy, a part of his tory of Iranian visual arts s tudies is also analyzed and the neglegted part of the belief, calture and ritual of ritual-symbolic rhythmic movements in the pas t of Iran will be read. The fundamental result of this research will reveal that mos t of the simple images of pottery painting in prehis toric Iran are symbolically depicted and need to be deciphered for reading.
