پديد آورندگان :
جوادي، سارا دانشگاه گيلان , جهان بخت ليلي، اميد دانشگاه گيلان - گروه زبان و ادبيات عربي , شعباني چافجيري، هادي دانشگاه گيلان - گروه زبان و ادبيات عربي
كليدواژه :
نشانه‌شناسي اجتماعي , پي‌ير گيرو , نجيب كيلاني , رمان الرَّجُلُ الّذي آمَنَ , هويّت اسلامي
چكيده فارسي :
ﭘﯽﯾِﺮ ﮔﯿﺮو، زﺑﺎنﺷﻨﺎس ﻓﺮاﻧﺴﻮي )1983-1912( ﻧﺸﺎﻧﻪﻫـﺎي اﺟﺘﻤـﺎﻋﯽ را از دو زاوﯾـﻪ »ﻫﻮﯾـﺖ « و »آداب ﻣﻌﺎﺷﺮت« ﻣﯽﮐﺎود و ﻣﺴﺌﻠﻪ ﻫﻮﯾﺖ را در ﻣﻘﻮﻟﻪﻫﺎﯾﯽ ﭼﻮن دﯾﻦ، ﯾﻮﻧﯿﻔﺮم، ﻧﺸﺎنﻫـﺎ و ﻣـﺪال ﻫـﺎ، ﮔـﺮوه ﻫـﺎي ﺷﻐﻠﯽ، ﻧﺎمﻫﺎ و اﻟﻘﺎب، آراﯾﺶﻫﺎ و ﻏﯿﺮه ﺟﺴﺖ وﺟﻮ ﻣﯽﮐﻨـﺪ و ﻣﺴـﺌﻠﻪ آداب ﻣﻌﺎﺷـﺮت را در ﻣﺆﻟﻔـﻪ ﻫـﺎﯾﯽ ﻫﻤﭽﻮن ﻟﺤﻦ ﮐﻼم، اﻃﻮارﭘﮋوﻫﯽ، ﻓﺎﺻﻠﻪﭘﮋوﻫﯽ و ﻏﯿﺮه ﺑﺮرﺳﯽ ﻣﯽﻧﻤﺎﯾﺪ. او ﻣﻌﺘﻘﺪ اﺳﺖ ﮐﻪ ﺑﺎ ﻣﻄﺎﻟﻌﻪ ﻧﺸﺎﻧﻪ ﻫﺎ و درك ﻣﻌﺎﻧﯽ ﻧﻬﻔﺘﻪ در آنﻫﺎ ﻣﯽﺗﻮان ﺑـﻪ رﻫﯿـﺎﻓﺘﯽ ژرف از ﺗﻤـﺎﯾﺰ اﻧﺪﯾﺸـﻪ ﻫـﺎ دﺳـﺖ ﯾ ﺎﻓـﺖ. ادﯾﺒـﺎن و ﻧﻮﯾﺴﻨﺪﮔﺎن ﺑﺎ آﮔﺎﻫﯽ از ﮐﺎرﮐﺮدﻫﺎي اﯾﻦ روﯾﮑﺮد ﻋﻠﻤﯽ ﺑﻪ اﻧﺘﻘﺎل ﻣﻘﺎﺻﺪ ادﺑﯽ ﺧـﻮﯾﺶ ﻫﻤتـﺖ ﮔﻤﺎﺷـﺘﻪ اﻧـﺪ. ﻧﺠﯿﺐ ﮐﯿﻼﻧﯽ )1931- 1995(، ادﯾﺐ ﻣﺼﺮي در رﻣﺎن اﻟﺮﱠﺟﻞُ اﻟّﺬي آﻣَﻦَ ﺑﺎ اﺳﺘﻔﺎده از ﻧﺸﺎﻧﻪﻫﺎي اﺟﺘﻤـﺎﻋﯽ، ﺗﻘﺎﺑﻞ ﻓﺮﻫﻨﮓ ﺷﺮق و ﻏﺮب و دوﮔﺎﻧﮕﯽ ﺷﺨﺼﯿﺖ اﻓـﺮاد ﻏـﺮب زده و ﻫﻮﯾـﺖ ﺑﺎﺧﺘـﻪ را در راﺳـﺘﺎي ﺗﺒﯿـﯿﻦ ﻫﻮﯾﺖ ﻧﺎب اﺳﻼﻣﯽ ﺑﻪ ﺗﺼﻮﯾﺮ ﮐﺸﯿﺪه اﺳﺖ. ﭘﮋوﻫﺶ ﺣﺎﺿﺮ ﺑﺮ آن اﺳﺖ ﺗﺎ ﺑﻪ روش ﺗﻮﺻﯿﻔﯽ- ﺗﺤﻠﯿﻠـﯽ ﺑـﻪ ﺑﺮرﺳﯽ ﺷﻨﺎﺳﻪﻫﺎي »ﻫﻮﯾﺖ اﺳﻼﻣﯽ« در رﻣﺎن ﻣﺰﺑﻮر ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﻧﺸﺎﻧﻪﺷﻨﺎﺳﯽ اﺟﺘﻤﺎﻋﯽ ﭘﯽﯾﺮ ﮔﯿﺮو ﺑﭙـﺮدازد ﯾﺎﻓﺘﻪﻫﺎ ﻧﺸﺎن ﻣﯽدﻫﺪ ﮐﻪ ﻧﻮﯾﺴﻨﺪه اﻫﺘﻤﺎم وﯾﮋهاي ﺑﻪ ﺳﺎزهﻫﺎي دﯾﻨﯽ در اﺛـﺮ ﺧـﻮد دارد. وي ﮐﻮﺷـﯿﺪه ﺗـﺎ ﺑـﺎ ﺗﻤﺮﮐﺰ ﺑﺮ ﺑﺮﺧﯽ ﻧﺸﺎﻧﻪﻫﺎي اﺟﺘﻤﺎﻋﯽ اﺳﻼﻣﯽ از ﻗﺒﯿﻞ اﻋﻤﺎل دﯾﻨﯽ، ﻋﻮاﻃﻒ دﯾـﻦ ﻣﺪاراﻧـﻪ، اﻋﺘﻘـﺎدات دﯾﻨـﯽ، ﯾﻮﻧﯿﻔﺮم و ﺗَﻦﭘﻮشﻫﺎي ﻫﻮﯾﺖﺑﺨﺶ، اﻟﻘﺎب و ﻧﺎمﻫﺎي ﻫﻮﯾﺖﻣﻨﺪ، ﻣﻨﺎﺳﺒﺎت ﺷﻐﻠﯽ ﻣﺒﺘﻨﯽ ﺑﺮ اﺧﻼق اﺳﻼﻣﯽ و ﻏﯿﺮه، ﺗﻤﺎﯾﺰ ﺑﯿﻦ ﺷﺮق و ﻏﺮب و ﻧﯿﺰ واﻗﻌﯿﺖﻫﺎي ﻓﺮﻫﻨﮕﯽ و اﻗﺘﺼﺎدي آنﻫﺎ را ﺑﺎزﺗﺎب دﻫﺪ و ﺑـﺎ ﺑﺮﺟﺴـﺘﻪ ﺳﺎزي ﻫﻮﯾﺖ و ﻓﺮﻫﻨﮓ اﺳﻼﻣﯽ در ﺳﺮزﻣﯿﻦﻫﺎي ﺷﺮﻗﯽ، ﺑﺴﺘﺮﻫﺎي ﻧﻬﺎدﯾﻨﻪﺳﺎزي آن را ﺑﯿﺶ از ﭘﯿﺶ در اذﻫﺎن ﻣﺨﺎﻃﺒﺎن ﻓﺮاﻫﻢ، و روﺣﯿﻪ ﭘﺎﺳﺪاري از ﻓﺮﻫﻨﮓ دﯾﻨﯽ را در ﺟﺎﻣﻌﻪ ﺗﻘﻮﯾﺖ ﮐﻨﺪ.
چكيده لاتين :
Pierre Giroud, a French linguist (1912-1983), explores social signs from the perspectives of "identity" and "social etiquette". He explores the issue of identity in categories such as religion, language, occupation, names and titles, etc., and believes that by studying the signs and understanding the meanings hidden in them, a deep approach to the distinction of ideas can be achieved. Found. Writers and writers, aware of the functions of this scientific approach, have tried to convey their literary goals. Najib Kilani (1995-1931), an Egyptian writer in his novel "Alrajol allazi amana", depicts the confrontation between Eastern and Western culture and the duality of the personalities of Westernized people in order to explain the pure Islamic identity. The present study intends to investigate the characteristics of "Islamic identity" in the novel in a descriptive-analytical manner with regard to the persistent social semiotics of Giro. The findings show that the author pays special attention to religious structures in his work. He has tried to highlight some of the signs of Islamic society such as religious practices, religious sentiments, religious beliefs, the appearance of various clothes, titles and letters of identity and professional relations based on Islamic ethics. To reflect the distinction between East and West and their cultural and economic realities, and by highlighting the Islamic identity and culture in the Eastern lands, to provide the grounds for its institutionalization more and more in the minds of the audience and the spirit Strengthen the protection of religious culture in society.
