ﻣﺪرﻧﯿﺘﻪ اﯾﺮاﻧﯽ: ﻧﻘﺪي ﺑﺮ دﯾﺪﮔﺎه ﻋﻠﯽ ﻣﯿﺮﺳﭙﺎﺳﯽ

Iranian Modernity: A Critique of Ali Mirsepasi’s Viowpoint

ﻫﺪف از ﭘﮋوﻫﺶ ﺣﺎﺿﺮ ﺑﺮرﺳﯽ و ﻧﻘﺪ ﻧﻈﺮﯾﻪ ﻣﺪرﻧﯿﺘﻪ اﯾﺮاﻧﯽ ﻋﻠﯽ ﻣﯿﺮﺳﭙﺎﺳﯽ ﺑﻪ ﻋﻨﻮان ﯾﮑﯽ از ﺗﺤﻠﯿﻞ ﻫﺎي ﻣﻬﻤﯽ اﺳﺖ ﮐﻪ درﺧﺼﻮص ﻣﻮاﺟﻬﻪ اﯾﺮاﻧﯿﺎن ﺑﺎ ﻣﺪرﻧﯿﺘﻪ اﻧﺠﺎم ﺷﺪه و در آن ﺳﻌﯽ ﺷﺪه ﺗﺎ اﻟﮕﻮﻫﺎي ﭼﻨﺪﮔﺎﻧﻪ از ﻣﺪرﻧﯿﺘﻪ ﺑﻪ ﻋﻨﻮان ﯾﮏ ﻧﻈﺮﯾﻪ ﺟﺪﯾﺪ اراﺋﻪ ﺷﻮد. اﯾﻦ ﭘﮋوﻫﺶ ﺑﺎ اﺳﺘﻔﺎده از روش ﺗﺤﻠﯿﻠﯽ - اﻧﺘﻘﺎدي ﻣﯽ ﺧﻮاﻫﺪ ﺿﻤﻦ ﺗﺤﻠﯿﻞ ﺷﺎﺧﺼﻪ ﻫﺎي اﺻﻠﯽ ﻧﻈﺮﯾﻪ ﻣﺪرﻧﯿﺘﻪ اﯾﺮاﻧﯽ ﺑﻪ ارزﯾﺎﺑﯽ و ﻧﻘﺪ ﺳﻮﯾﻪ ﻫﺎي اﻧﺘﻘﺎدي و اﯾﺠﺎﺑﯽ آن در ﺑﺮرﺳﯽ ﺗﺤﻮﻻت اﯾﺮان ﻣﻌﺎﺻﺮ ﺑﭙﺮدازد. ﺗﻮﺟﻪ ﺑﻪ ﮐﺎﺳﺘﯽ ﻫﺎي ﺗﺤﻠﯿﻞ وي ﺷﺎﻣﻞ ﺗﻮﺟﻪ ﺻﺮﻓﺶ ﺑﻪ ﺟﻨﺒﻪ ﻫﺎي ﻓﮑﺮي و ﻓﺮﻫﻨﮕﯽ ﻣﺪرﻧﯿﺘﻪ اﯾﺮاﻧﯽ و ﻋﺪم ﺗﻮﺟﻪ ﺑﻪ ﺟﻨﺒﻪ ﻫﺎي ﺳﺎﺧﺘﺎري و ﻧﻬﺎدي ﻣﺆﺛﺮ در ﺗﮑﻮﯾﻦ اﯾﻦ ﭘﺪﯾﺪه و ﻫﻤﭽﻨﯿﻦ ﺗﺄﮐﯿﺪ ﺷﺪﯾﺪ ﺑﻪ ﻧﻘﺶ روﺷﻨﻔﮑﺮان درﺗﺮوﯾﺞ اﺳﻼم ﺳﯿﺎﺳﯽ و ﻋﺪم ﺗﻮﺟﻪ ﺑﻪ ﻧﻘﺶ ﻧﯿﺮوﻫﺎ و ﻧﻬﺎدﻫﺎي ﺳﻨﺘﯽ در اﻧﻘﻼب اﺳﻼﻣﯽ و ﻧﻘﺪ ﺳﻮﯾﻪ ﻫﺎي اﯾﺠﺎﺑﯽ اﻟﮕﻮي ﭘﯿﺸﻨﻬﺎدي وي ﮐﻪ ﻣﺒﺘﻨﯽ ﺑﺮ ﺗﻨﻮع در ﺗﺠﺮﺑﻪ ﻫﺎي ﻓﺮﻫﻨﮕﯽ و ﺗﺎرﯾﺨﯽ از ﻣﺪرﻧﯿﺘﻪ و ﺗﻼش ﺑﺮاي ﺗﺮﺳﯿﻢ ﺳﯿﻤﺎي ﻏﯿﺮ اروﭘﺎ ﻣﺤﻮر از آن اﺳﺖ از ﻣﻬﻢ ﺗﺮﯾﻦ ﯾﺎﻓﺘﻪ ﻫﺎي اﯾﻦ ﭘﮋوﻫﺶ اﺳﺖ. ﻧﺘﯿﺠﻪ ﮐﻠﯽ اﯾﻦ ﭘﮋوﻫﺶ ﻧﺸﺎن ﮔﺮ آن اﺳﺖ ﮐﻪ ﻧﻈﺮﯾﻪ ﻣﺪرﻧﯿﺘﻪ اﯾﺮاﻧﯽ ﺿﻤﻦ اراﺋﻪ روﯾﮑﺮد و ﭼﺸﻢ اﻧﺪازي ﺟﺪﯾﺪ ﺑﻪ ﻣﻄﺎﻟﻌﻪ ﺗﺎرﯾﺦ ﻣﻌﺎﺻﺮ اﯾﺮان ﺑﺮﺧﯽ از اﺑﻌﺎد ﻣﻬﻢ آن را ﻧﺎدﯾﺪه و ﻫﻤﯿﻦ اﻣﺮ ﻫﻢ ﺿﺮورت اراﺋﻪ ﭘﮋوﻫﺶ ﻫﺎي ﺟﺪﯾﺪﺗﺮ ﻧﻤﺎﯾﺎن ﻣﯽ ﺳﺎزد.

The purpose of this study was to review and criticize the theory of Iranian modernity, Ali Mirsepasi, as one of the most important analyses that has been done on the Iranian in face of modernity which has tried to present multiple models of modernity as a new theory. The current study has used the analytical-critical method, while analyzing the main features of the theory of Iranian modernity, evaluating and criticizing its critical and positive aspects in the study of contemporary Iranian developments. Shortcomings of his analysis include paying great attention to the intellectual and cultural aspects of Iranian modernity while not paying attention to the structural and institutional aspects of it which effects the development of modernity. Moreover role of intellectuals in promoting political Islam and traditional forces and institutions in the Islamic Revolution have not been addressed. One of the most important findings of the current research is shedding light on positive aspects of his proposed model, which is based on the diversity of cultural and historical experiences of modernity and the attempt to draw a non-European-oriented image of it. The general result of this research indicates that the theory of Iranian modernity, while presenting a new approach and perspective to the study of contemporary Iranian history, postpones some of its crucial aspects emphasizing the need for new research.