شماره ركورد :
1265116
عنوان مقاله :
بررسي ويژگي‌هاي عكس مستند هنري
عنوان به زبان ديگر :
Reviewing the features of documentary artistic photo
پديد آورندگان :
مهدي زاده، عليرضا دانشگاه شهيد باهنر كرمان -دانشكده هنر و معماري صبا - گروه نقاشي
تعداد صفحه :
8
از صفحه :
72
از صفحه (ادامه) :
0
تا صفحه :
79
تا صفحه(ادامه) :
0
كليدواژه :
عكاسي مستند , عكس مستند هنري , بازنمايي
چكيده فارسي :
عكاسي مستند يكي از قديمي‌ترين و اصلي‌ترين شاخه‌هاي عكاسي است كه هدفش ثبت و بازنمايي اشياء، رويدادها و صحنه‌هاي مختلف جهان پيرامون به شكلي واقع‌نما، بي‌طرف و صادقانه است. بااين‌حال، ازآنجاكه عكاس مستند ثبت‌كننده خنثي و منفعل عناصر و صحنۀ پيش رويش نيست؛ عكس مستند نيز مي‌تواند كاركردها و كيفيت‌هاي مختلفي به خود بگيرد. ازاين‌رو، با توجه به اهداف و قابليت‌هاي گوناگون بازنمودي و بياني عكاسي مستند، در اين مقاله، به هدف بررسي و تبيين ويژگي‌هاي عكس مستند هنري، مفاهيمي چون بازنمايي، فرانمايي، صراحت، ابهام، توصيف و تفسير را در رابطه با عكس مستند بررسي كرده‌ايم. همچنين، پرسش مطرح شده اين است كه عكس مستند به‌واسطۀ چه ويژگي‌هايي، وجه هنري به خود مي‌گيرد و به عكس مستند هنري تبديل مي‌شود. روش پژوهش، توصيفي- تحليلي و تطبيقي است و اطلاعات موردنظر از منابع كتابخانه‌اي جمع‌آوري شده است. نتيجۀ پژوهش بيانگر اين است كه عكس مستند هنري حاصل كنش هنري عكاس يعني نگاه نو و متفاوت او به عناصر، رويدادها و پديده‌هاي جهان واقعي است. در واقع، در عكس مستند هنري، سهم عكاس در مقام فاعل بازنما بيشتر از ابزار و موضوع خودنمايي مي‌كند. لذا در عكس مستند هنري با غلبۀ جنبه‌هاي تأليفي، تفسيري، تلويحي و زيبايي‌شناختي روبرو مي‌شويم. زيرا عكاس به‌جاي ثبت صرف واقعيت بيروني، به‌وسيلۀ بازنمايي نيت مند و خلاقانۀ صحنۀ پيش رويش، واقعيت جديدي بازآفريني مي‌كند و مفاهيم موردنظر خويش را فرا مي‌نمايد. از اين طريق، مخاطب نيز به درنگ وا‌داشته مي‌شود تا پيرامون عكس تفكر و تخيل نمايد.
چكيده لاتين :
Documentary photography is one of the oldest and main branches of photography that Its purpose is to record and represent objects, events and various scenes around the world in a realistic, neutral and honest way. In fact, the main ability of documentary photography is its power of representation, descriptive and citation. Representation in documentary photography is a process that depends on the photographer's point of view, the elements of the outside world, the camera, and the definitions and requirements of documentary photography. However, documentary photography has a variety of representational and expressive capacities, and representation in documentary photography takes different forms and qualities. Because the documentary photographer is not necessarily the neutral and passive recorder of the scene in front of him. Anyway, since the documentary photographer is not a neutral and passive recorder of the elements and the scene in front of him, the documentary photo can also take on different functions and qualities. If we accept understanding each branch of photography depends on familiarity with the functions and constraints of that branch and a documentary photographer is subject to the accepted definitions and requirements of documentary photography; So, logically, the possibility of creating an artistic documentary photo should be extracted from the specific features of documentary photography itself. Therefore, According to purposes and different representational and expressional capabilities of photography, concepts such as representation, regeneration, explicitly, ambiguity, description and interpretation in relation with documentary photo have been investigated in the current study to explain creation methods of documentary artistic photo and its characteristics and also answer this question that because of what features a photo obtains artistic features and transforms into a documentary artistic photo. What are the differences between an art documentary and a documentary. What is the quality, quality and different features of an artistic documentary compared to a documentary. However, the concept of art itself has always been subject to change and ambiguity; But critics, through some concepts related to art and the general expectations we have of works of art, discuss the artistic aspects of a work. These concepts have always been of interest to art critics and theorists Given the various purposes and functions of documentary photography, it seems that with their help it is possible to examine documentary photographs and describe and analyze their various aspects, especially art. Due to the diversity of different branches of documentary photography, the topics and results of this research can be used to better understand the different aspects of this branch of photography and classification and analysis of documentary photographs. On the other hand, this research has a practical aspect and its topics and results can also be used for education. The study used descriptive-analytic and comparative research method and data has collected through library resources. In this study, based on the main and accepted characteristics and functions of documentary photography, the concepts of representation, transparency, clarity, ambiguity, description and interpretation have been tested in relation to documentary photographs. In this way, while describing the characteristics of documentary photographs, in contrast, the characteristics of artistic documentary photographs have been identified and explained. The findings showed that, In the documentary art documentary, instead of representing the real world in a straightforward and straightforward way, we are confronted with recreating a reality that is ambiguous; Because instead of merely describing a scene and event, it expresses the photographer's interpretation and brings him thoughts and views on a scene, event, or subject. In other words, documentary artistic photo is the result of photographer’s artistic action that is his new and different perspective towards real world. In fact, instead of merely transcending external reality, the photographer recreates new reality by deliberately and creatively representing the scene in front of him. Its elements and components are selected and combined in such a way that they express the photographer's interpretation and surround her opinion and point of view. In this way, the audience, in the face of the world of photography, is forced to make inferences and speculations about the presented subject and to think and imagine. Thus, in documentary artistic photo we are faced with the dominance of compilation, commentary and aesthetic aspects. In fact, in an artistic documentary, the photographer's share of the role of the playwright is more than the tools and the subject matter. Because a photographer recreates a new reality through creative representation of real affairs instead of reality and makes the audience to think and imagine about the represented topic. It seems that the concepts mentioned in this article can be discussed in other branches of photography as well and achieved useful and instructive results for recognizing their various aspects and test the artistic aspects of each branch of photography in this way.
سال انتشار :
1400
عنوان نشريه :
جلوه هنر
فايل PDF :
8580528
لينک به اين مدرک :
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