مولفه‌هاي پست مدرنيسم در داستان هاي بلقيس سليماني

Postmodernism in Belgheis Soleimani’s fiction

ﭘﺴﺖ ﻣﺪرﻧﯿﺴﻢ ﺗﺮﮐﯿﺒﯽ از ﻧﻈﺮﯾﺎت ﻣﺨﺘﻠﻒ و ﻣﺤﺼﻮل اﻧﺪﯾﺸﻪﻫﺎي ﻣﺘﻌﺪدي اﺳﺖ. از اﯾﻦ رو ، در ﺑـﺎب وﯾﮋﮔﯽﻫــﺎ و ﻣﺆﻟﻔــﻪﻫﺎي آن اﺧــﺘﻼف ﻧﻈــﺮ وﺟــﻮد دارد. ﻣﺆﻟﻔــﻪﻫﺎﯾﯽ ﻫﻤﭽــﻮن: ﮐــﻮﻻژ، ﻣﯿﻨﯽﻣﺎﻟﯿﺴــﻢ، ﺟﺮﯾــﺎن ﺳــﯿﺎل ذﻫــﻦ، ﻋــﺪم ﻗﻄﻌﯿــﺖ، ﭘﺎﯾﺎنﺑﻨــﺪي ﺑــﺎز ﻧﻤﻮﻧــﻪﻫﺎﯾﯽ از ﺷــﺎﺧﺺﻫﺎي ﭘــﺲ ﻣــﺪرن در ﻣﺘــﻮن داﺳــﺘﺎﻧﯽ ﻫﺴــﺘﻨﺪ. وﯾﮋﮔــﯽ ﻫــﺎﯾﯽ ﮐــﻪ در داﺳــﺘﺎن اﻣــﺮوز ﻓــﺮاوان دﯾــﺪه ﻣﯽﺷــﻮد.اﻟﺒﺘﻪ ﺑﺮﺧــﯽ از ﻣﻮﻟﻔــﻪﻫﺎي ﭘﺴــﺖ ﻣﺪرﻧﯿﺴﻢ ﺑﺎ ﻣﺪرﻧﯿﺴﻢ ﻣﺸﺘﺮك اﺳﺖ. از اﯾﻦ رو، ﮔﺮوﻫﯽ از ﺻﺎﺣﺒﻨﻈﺮان اﯾﻦ دو ﺟﺮﯾﺎن را در اﻣﺘـﺪاد ﻫـﻢ ﺗﻮﺻﯿﻒ ﻣﯽﮐﻨﻨﺪ. در آﺛﺎر ﻧﻮﯾﺴﻨﺪﮔﺎن ﻫﻢ ﻣﻌﻤﻮﻻ، ﮔﺮاﯾﺶ ﺑﻪ ﻫﺮ دو روﯾﮑﺮد در ﮐﻨﺎر ﻫـﻢ دﯾـﺪه ﻣـﯽﺷـﻮد. ﻣﺴﺄﻟﻪ اﯾﻦ اﺳﺖ ﮐﻪ ﻣﻮﻟﻔﻪﻫﺎي ﮐـﺪام ﺟﺮﯾـﺎن در داﺳـﺘﺎن ﻏﺎﻟـﺐ اﺳـﺖ.در ﻣـﻮرد ﺑﻠﻘـﯿﺲ ﺳـﻠﯿﻤﺎﻧﯽ ﻫـﻢ، اﯾﻨ ﭽﻨﯿﻦ اﺳﺖ. در اﯾﻦ ﭘﮋوﻫﺶ ﺑﺮآن ﺑﻮدﯾﻢ ﮐﻪ، ﺑﺎ ﯾﺎﻓﺘﻦ و ﺑﺮرﺳﯽ ﻣﻮﻟﻔﻪﻫﺎي ﭘﺴﺖ ﻣﺪرﻧﯿﺴـﻢ، ﺑـﻪ اﯾـﻦ ﭘﺮﺳـــﺶ اﺻـــﻠﯽ ﭘﺎﺳـــﺦ دﻫـــﯿﻢ ﮐـــﻪ آﯾـــﺎ ﺳـــﻠﯿﻤﺎﻧﯽ ﯾـــﮏ ﻧﻮﯾﺴـــﻨﺪه ي ﭘﺴـــﺖ ﻣـــﺪرن اﺳـــﺖ؟ و اﮔـــﺮ ﭼﻨـــﯿﻦ اﺳــﺖ،ﮐﺪام ﻣﻮﻟﻔــﻪﻫﺎ و ﺑــﺎ ﭼــﻪ ﮐﯿﻔﯿــﺖ و ﺷــﯿﻮهاي در آﺛــﺎر او ﺑــﻪ ﮐــﺎر رﻓﺘــﻪ اﺳــﺖ؟ ﺟﺎﻣﻌــﻪ ي آﻣــﺎري اﯾــﻦ ﭘـــﮋوﻫﺶ ﻋﺒﺎ رﺗﻨـــﺪ از: »ﺑـــﺎزي ﻋـــﺮوس و داﻣـــﺎد«، »روز ﺧﺮﮔـــﻮش«، »ﭘﺴـــﺮي ﮐـــﻪ ﻣـــﺮا دوﺳـــﺖ داﺷـــﺖ«، »ﺧﺎﻟـﻪﺑﺎزي«، »ﻣـﺎرون«، »ﺑـﺎزي آﺧـﺮ ﺑـﺎﻧﻮ«، »ﺳﮓﺳــﺎﻟﯽ«، »ﭘﯿـﺎده« و »ﺑـﻪ ﻫـﺎدس ﺧـﻮش آﻣﺪﯾـﺪ« اﺳــﺖ. دﺳــﺘﺎورد ﭘــﮋوﻫﺶ ﺑﯿــﺎﻧﮕﺮ آن اﺳــﺖ ﮐــﻪ ﭘﺎﯾﺎنﺑﻨــﺪي ﺑــﺎز، ﻣﯿﻨﯽﻣﺎﻟﯿﺴــﻢ، ﮐــﻮﻻژ و ﺟﺮﯾــﺎن ﺳــﯿﺎل ذﻫــﻦ از ﺷﺎﺧﺺﺗﺮﯾﻦ ﻣﺆﻟﻔﻪﻫﺎي ﭘﺴﺎﻣﺪرن در داﺳﺘﺎنﻫﺎي ﺑﻠﻘﯿﺲ ﺳـﻠﯿﻤﺎﻧﯽ اﺳـﺖ ﮐـﻪ در ﮐﻨـﺎر ﻋـﺪم ﻗﻄﻌﯿـﺖ، ﭘــﻮچﮔﺮاﯾﯽ، ﺗﮑــﺮار، ﻃﻨــﺰ، ﻓﺮاﻣﮑــﺎﻧﯽ و ﻓﺮاﺗــﺎرﯾﺨﯽ، ﺷــﺮوع و ﭘﺎﯾــﺎن داﺳــﺘﺎن، اﻋﺘﯿــﺎد ﺑــﻪ زﻧــﺪﮔﯽ ﺷــﻬﺮي و اﺳﺘﻔﺎده ي ﻧﺎﮔﺰﯾﺮ از ﻓﻨﺎوري آﺛﺎر ﺑﻠﻘﯿﺲ ﺳﻠﯿﻤﺎﻧﯽ را ﺑﻪ ﺟﺮﯾﺎن ﭘﺴﺖﻣﺪرن ﻧﺰدﯾﮏ ﮐﺮده اﺳﺖ.

Postmodernism is a combination of different theories and the product of many ideas, so there is disagreement about its features and components. Components such as: collage, minimalism, fluid flow of the mind, uncertainty, open ending are examples of very modern indicators in fictional texts. Features that can be seen in many stories today. Of course, some components of postmodernism have in common with modernism, so a group of experts describe these two currents along. In the works of authors, there is usually a tendency for both approaches together. The question is which components of the flow in the story are great. This is the case with Belgheis Soleimani. In this study, we wanted to find and examine the components of postmodernism, to answer the main question whether Soleimani is a modern pat writer? an‎d if so, what components and with what quality and method has been used in his works? The statistical population of this study includes: Bari the bride and groom, Orooz the rabbit, the boy who loved me, Aunt Amaroon , The last game of the lady, Salia dog, on foot, and Hans is welcome. The result of the research indicates that the ending of the game of minimalism, collage and fluid flow of the mind is one of the most significant postmodern components in the stories of Belgheis Soleimani, which is accompanied by uncertainty. Bourgeoisie, repetition, humor, transcendence and transcendence have brought the beginning and the end in the province with the addiction to urban life and the inevitable use of technology in the works of Belgheis Soleimani to the postmodern current.