عنوان مقاله :
نظريۀ معماريِ اسلامي يا نظريۀ اسلاميِ معماري: نقدي بر اصالت اسلامي رويكردهاي نظري و عملي در دوران معاصر
عنوان به زبان ديگر :
Theory of Islamic Architecture vs. Islamic Theory of Architecture: A Critical Appraisal of the Contemporary Theoretical and Practical Approaches from the Islamic Perspective
پديد آورندگان :
ناري قمي، مسعود داﻧﺸﮕﺎه ﻓﻨﯽ و ﺣﺮﻓﻪاي ﻗﻢ، ﻗﻢ، اﯾﺮان
كليدواژه :
اسلاميت معماري , گرايش عرفاني , گرايش فقهي , مسجد معاصر
چكيده فارسي :
اين نوشتار در پي يافتن عاملي است كه سبب شده تا در روزگار معاصر نتوان «اسلامي» بودن معماري را از «غيراسلامي» بودن تشخيص داد. اين امر فقط متوجه معماريهاي غيرمذهبي نيست، بلكه مسأله در جايي است كه طراحان يا نظريهپردازان، معماري را به اسلام منتسب ميكنند. براي يافتن علت، موضوع در دو بخش يعني بررسي نظريات و بررسي رويّههاي عمليِ طراحي ارائه شده است. در نقد رويّههاي نظري، سه گرايش اصلي نظري ‒گرايش عرفاني، گرايش فقهي و رويكرد اصولگرا ‒ در تبيين معماري اسلامي به نقد گذاشته شده است. تفوق ارزشهاي نهاد معمارانه بر ارزشهاي اسلامي و ديد حداقلي به اسلام، ويژگي مشترك اين رويكردهاي نظري است. اين ويژگيها در بخش عملي، با تمركز بر طراحي مسجد در دوران تاريخي و دوران معاصر، اسلاميت طرحها در هر دو بازه به چالش گذارده شده است. در اين بخش، منتهي شدن سير عرفاني در تحليل مسجد به امكان نوگرايي حداكثري در قالب واسازي مفاهيم ديني، با استناد به آثار نشان داده شده است. در پايان معضل اصلي در همۀ اين گرايشهاي نظري و عملي تحت عنوان «اسلام از معماري چه ميخواهد» طرح و بحث شده است. از ديد اين نوشتار، راهحل موضوع، جانشاني يك سؤال ساده است: اسلام از معماري چه ميخواهد؟ و اين سؤالي است در مقابل آن سؤال كه «معماري از اسلام چه ميخواهد؟»؛ پرسشي كه سنّتگرايان يا بومگرايان معماري در كشورهاي اسلامي، سالهاست به آن پرداختهاند و براي اموري چون «ايده»، «كانسپت»، «مردمپذير كردن معماري»، «روحاني كردن معماري» و بالأخره «اسلامي كردن معماري»، به اسلام يا منابع منتسب به آن رجوع كردهاند.
چكيده لاتين :
This paper is to search for the cause of vagueness in
distinguishing Islamic from non-Islamic among architectural
artifacts of the time in Islamic countries. It is
not restricted to non-religious buildings but the main
problem emerges when designers or theorists make
Islamic claims on a work of architecture. Here, to pursue
the causes of this fact, two main subjects are explored:
theoretical positions as well as practical approaches.
For the first subject, two main directions in
current theories, i.e. theosophical attitude and Islamic
juridical approach, are put in critical debate. However,
a third approach is also discussed, which concerns the
“principle-oriented” trend. The theosophical approach
is based on the hypothesis of essentiality of
spiritual wisdom and its superiority over objective
world of things. This leads to a hermeneutics of form
of historic precedents of architectural artifacts which
has also been applied for contemporary works of architecture.
This approach bears a body of criticisms
from Islamic point of view. The main question is: is it
approvable by Islamic principles to claim spiritual values
for special forms or is it acceptable that any form
could be Islamic as claimed by theosophical interpretation?
Here some negative witnesses from original
Islamic contexts are shown. For the juridical approach
there is far less literature as it is attached to deep
religious behavior and is globally viewed as fundamentalist.
However in this route Islam is put in the
place of regulatory both in terms of urban code (or
architectural one) and a kind of resource to produce
vast tacit knowledge about built environment. The
main criticism in this field has been introduced by its
actionist as they see this field of not enough content
to be developed for current issues. Here their claim of
weakness of Islamic content from their point of view
is to some extent measured. The third area of debate—“
principle oriented” trend—belongs to those
studies of Islam and built environment which see the
role of Islam as founder of concept that has nothing
to do with detailed and objective matters of built environment.
In their view the timeless value of Islam is
not included in its objective content such as behaviors
or regulation but is put in its basic concept that should
be interpreted differently from time to time. Here this
approach especially in architecture is seen as a reductive
one. It ignores internal structure of Islam and
resists towards Islamic main claim of its global and
fatal value. For the architecture this view is very weak
to interpretation of artifacts as well as making sense
of what should be done in future. For the second one
the mosque designs of pre-Modern era to present
days are briefly reviewed from an Islamic critical point
of view. After a challenging discussion the main problem
is formulated in the form of one essential question:
“What does Islam want from architecture?” This
makes the framework of conclusion of the paper.
عنوان نشريه :
فرهنگ معماري و شهرسازي اسلامي