عنوان مقاله :
ﺗﻄﺒﻴﻖ ﻣﻔﺎﻫﻴﻢ ﺗﻤﺜﻴﻠﻲ و ﻧﻤﺎدﻳﻦ ﺳـﮓ در آﺛـﺎر ﺣﻤﺎﺳـﻲ،ﻏﻨﺎﻳﻲ و ﻋﺮﻓﺎﻧﻲ)ﺑﺎ ﺗﻜﻴﻪ ﺑﺮ ﺷﺎﻫﻨﺎﻣﺔ ﻓﺮدوﺳﻲ، ﺧﻤﺴـﺔ ﻧﻈـﺎﻣﻲ و ﻣﺜﻨﻮي ﻣﻮﻟﻮي)
عنوان به زبان ديگر :
Application of allegorical and symbolic concepts of dogs in epic, lyrical and mystical works Based on Ferdowsi's Shahnameh, Khamseh Nezami and Rumi's Masnavi (Mouvlavi)
پديد آورندگان :
اياز، حميد دانشگاه آزاد اسلامي واحد تهران جنوب , تيموري، عاطفه دانشگاه آزاد اسلامي واحد قروه
كليدواژه :
نماد , تمثيل , سگ , ادبيات حماسي , ادبيات غنايي , ادبيات عرفاني
چكيده فارسي :
ﻧﻤﺎد، ﻳﻚ ﺷﮕﺮد ﺑﻴﺎﻧﻲ اﺳﺖ ﻛﻪ ﺑﻪ ﺟﺎي اﺷﺎرة ﻣﺴﺘﻘﻴﻢ ﺑﻪ ﻣﻮﺿﻮﻋﻲ، آن را ﻏﻴﺮﻣﺴﺘﻘﻴﻢ و ﺑﻪ واﺳﻄﺔ ﻣﻮﺿﻮﻋﻲ دﻳﮕـﺮ ﻳـﺎ ﺑـﻪ ﺷـﻴﻮ ة ﺗﻤﺜﻴﻞ ﺑﻴﺎن ﻣﻲ ﻛﻨﺪ. ﻧﻤﺎد در ﻗﻠﻤﺮو ادﺑﻴﺎت ﻫﻤﺎره ﻧﻘﺶ آﻓﺮﻳﻦ ﺑﻮده اﺳﺖ. ﻧﻤﺎدﻫﺎ ﺑﺨﺸﻲ از ﻓﺮﻫﻨﮓ ﻳﻚ ﻣﻠّﺖ ﻫﺴﺘﻨﺪ ﻛـﻪ ﺑـﺮاي درك اﺳﻄﻮره ﻫﺎي آن ﻣﻠّﺖ ﺑﺎﻳﺪ ﺑﻪ ﻣﻔﺎﻫﻴﻢ آن ﻫﺎ ﭘﻲ ﺑﺮد. ﺟﺎﻧﻮران از ﻣﺼﺎدﻳﻘﻲ ﻫﺴﺘﻨﺪ ﻛﻪ ﺑﺎ ﻧﻤﺎدﻫﺎ در ﭘﻴﻮﻧﺪﻧﺪ.
اﻳﻦ ﭘﮋوﻫﺶ ﺑﺎ روش ﻛﺘﺎﺑﺨﺎﻧﻪ اي و ﺷﻴﻮة ﺗﺤﻠﻴﻠﻲ ـ ﺗﻄﺒﻴﻘﻲ ﻧﻮﺷﺘﻪ ﺷﺪه اﺳﺖ و ﻫﺪف آن ﺑﺮرﺳﻲ ﻣﻔـﺎﻫﻴﻢ ﻧﻤـﺎدﻳﻦ و ﺗﻤﺜﻴﻠـﻲ ﺳﮓ در آﺛﺎر ﺣﻤﺎﺳﻲ، ﻏﻨﺎﻳﻲ و ﻋﺮﻓﺎﻧﻲ ﺑﺎ ﺗﻜﻴﻪ ﺑﺮ ﺷﺎﻫﻨﺎﻣﺔ ﻓﺮدوﺳﻲ، ﺧﻤﺴﺔ ﻧﻈﺎﻣﻲ و ﻣﺜﻨﻮي ﻣﻮﻟﻮي( اﺳﺖ و ﻣـﻲ ﺧﻮاﻫـﺪ ﺑـﻪ اﻳﻦ ﭘﺮﺳﺶ ﻫﺎ ﭘﺎﺳﺦ دﻫﺪ: در اوﺳﺘﺎ و ﻣﺘﻮن ﭘﻬﻠﻮي در ﻣﻮرد ﺳﮓ ﭼﻪ ﻧﮕﺮﺷﻲ وﺟﻮد دارد؟ ﺳﮓ در ﻫﺮ ﻳﻚ از آﺛﺎر ﻣـﻮرد ﺑﺮرﺳـﻲ در ﭼﻪ ﻣﻔﺎﻫﻴﻢ ﻧﻤﺎدﻳﻦ و ﺗﻤﺜﻴﻠﻲ ﺑﻪ ﻛﺎر رﻓﺘﻪ اﺳﺖ؟ آﻳﺎ ﺑﻴﻦ ﻣﻔﻬﻮم ﻧﻤﺎدﻳﻦ و ﺗﻤﺜﻴﻠﻲ ﺳﮓ در آﺛﺎر ﻣﻮرد ﺑﺮرﺳﻲ ﺗﻄﺎﺑﻖ وﺟـﻮد دارد؟ﻛﺪام ﻣﻔﻬﻮم ﻣﺎﻳﺔ ﺣﻤﺎﺳﻲ، ﻛﺪام، ﻣﺎﻳﺔ ﻏﻨﺎﻳﻲ و ﻛﺪام، ﻣﺎﻳﺔ ﻋﺮﻓﺎﻧﻲ دارد؟
چكيده لاتين :
A symbol is an expressive trick that, instead of referring directly to a subject, expresses it
indirectly through another subject or in an allegorical way. The symbol has always been a
role model in the realm of literature. Symbols are part of the culture of a nation, and in
order to understand the myths of that nation, one must understand their meanings. Animals
are examples that are associated with symbols.This research has been written by library
method and analytical-comparative method and its aim is to study the symbolic and
allegorical concepts of dog in epic, lyrical and mystical works (based on Ferdowsi's
Shahnameh, Nezami’s Khamseh (The Quintuplet) and Rumi's Masnavi) and wants to
answer these questions: What is the attitude towards dogs in Avesta and Pahlavi texts? In
what symbolic and allegorical terms is dog used in each of the studied works? Is there a
correspondence between the symbolic and allegorical concept of dog in the studied works?
Which concept has an epic theme, which one has a lyrical theme and which one has a
mystical theme?
