رﻧﮓ اﻗﻠﯿﻤﯽ در ﺳﺮوده ﻫﺎي ﻣﺤﻤﺪ ﺑﯿﺎﺑﺎﻧﯽ

Climatic color in the poetry of Mohammad Biabani

ﭼﮑﯿﺪه ﻣﺤﻤﺪ ﺑﯿﺎﺑﺎﻧﯽ، زادة اﻗﻠﯿﻢ ﺟﻨﻮب اﯾﺮان اﺳﺖ. وي از ﺷﺎﻋﺮان ﻧﺎﻣﯽ، ﻣﺘﻌﻬﺪ و اﺟﺘﻤﺎﻋﯽ اﺳﺖ. ﺷﺎﻋﺮي ﮐﻪ ﻧﻪ ﺗﻨﻬﺎ در ﻋﺮﺻﮥ اﺟﺘﻤﺎﻋﯽ و ﺳﯿﺎﺳﯽ ﮐﻪ در ﻋﺮﺻﮥ ﻓﺮﻫﻨﮕﯽ ﻧﯿﺰ، او را ﻣﯽ ﺗﻮان ﺷﺎﻋﺮ ﻣﻘﺎوﻣﺖ ﻓﺮﻫﻨﮕﯽ ﻧﺎﻣﯿﺪ. ﻋﻼﻗﻪ، اﻧﺲ و اﻟﻔﺖ او ﺑﻪ زﺑﺎن، ﻓﺮﻫﻨﮓ، زادﺑﻮم و وﻃﻦ ﺧﻮد از ﺑﯿﺎﺑﺎﻧﯽ ﺷﺎﻋﺮي ﺳﺎﺧﺘﻪ ﮐﻪ ﻣﺒﻬﻢ ﺳﺮاﯾﯽ ﯾﮑﯽ از ﺷﺎﺧﺼﻪ ﻫﺎي ﺷﻌﺮ اوﺳﺖ. از آن ﺟﻬﺖ ﮐﻪ ﻣﺤﯿﻂ زﻧﺪﮔﯽ، ﻓﺮﻫﻨﮓ و اﻗﻠﯿﻢ ﻃﺒﯿﻌﯽ، ﺗﺄﺛﯿﺮ اﻧﮑﺎر ﻧﺎﭘﺬﯾﺮي ﺑﺮ اﻧﺴﺎن ﻣﯽ ﮔﺬارد. ﺑﺮرﺳﯽ اﯾﻦ ﮔﻮﻧﻪ ﺗﺄﺛﯿﺮات در آﺛﺎر ﺷﺎﻋﺮان و ﻧﻮﯾﺴﻨﺪﮔﺎن ﺗﺤﺖ ﻋﻨﻮان »رﻧﮓ اﻗﻠﯿﻤﯽ ﯾﺎ ﻣﺤﻠّﯽ« ﻗﺮار ﻣﯽ ﮔﯿﺮد. رﻧﮓ ﻣﺤﻠّﯽ ﯾﺎ ﺻﺒﻐﮥ اﻗﻠﯿﻤﯽ اﺻﻄﻼﺣﯽ اﺳﺖ ﮐﻪ اﯾﻦ ﺗﺄﺛﯿﺮات را در ﺷﻌﺮ ﺷﺎﻋﺮان ﺑﯿﺎن ﻣﯽ ﻧﻤﺎﯾﺪ. اﻧﺪوﺧﺘﻪ ﻫﺎي ﻓﮑﺮي و ذﻫﻨﯽ ﻫﺮ ﺷﺎﻋﺮ از رﻫﮕﺬر زﻧﺪﮔﯽ در اﻗﻠﯿﻢ ﻃﺒﯿﻌﯽ و ﻓﺮﻫﻨﮕﯽ ﺧﺎﺻﯽ، ﺑﻪ آﻓﺮﯾﻨﺶ زﯾﺒﺎﯾﯽ ﻫﺎي ادﺑﯽ در ﺷﻌﺮ او ﻣﯽ اﻧﺠﺎﻣﺪ، ﮐﻪ ﺑﻪ آن رﻧﮓ ﻣﺤﻠّﯽ ﯾﺎ اﻗﻠﯿﻤﯽ ﻣﯽ ﮔﻮﯾﻨﺪ. رﻧﮓ اﻗﻠﯿﻤﯽ در ﺷﻌﺮ ﻣﻌﺎﺻﺮ ﺑﺎزﺗﺎب ﺗﺠﺮﺑﮥ ﺷﺨﺼﯽ ﺷﺎﻋﺮان اﺳﺖ و ره آورد آﺷﺘﯽ و ﻫﻤﺰﯾﺴﺘﯽ اﻧﺴﺎن ﺑﺎ ﻃﺒﯿﻌﺖ اﺳﺖ ﮐﻪ در ﺷﻌﺮ ﻣﻌﺎﺻﺮ اﯾﺮان، اﺑﺘﺪا در ﺷﻌﺮ ﻧﯿﻤﺎ ﺟﻠﻮه ﮔﺮ ﺷﺪ و ﺳﭙﺲ در ﺳﺮوده ﻫﺎي ﺷﺎﻋﺮان ﭘﺲ از او ﻣﻮرد ﺗﻮﺟﻪ و اﺳﺘﻘﺒﺎل ﻗﺮار ﮔﺮﻓﺖ. اﯾﻦ ﭘﮋوﻫﺶ ﺑﻪ ﺷﯿﻮة ﺗﺤﻠﯿﻠﯽ ـ ﺗﻮﺻﯿﻔﯽ و ﺑﺎ اﺑﺰار ﮐﺘﺎﺑﺨﺎﻧﻪ اي در ﭘﯽ ﭘﺎﺳﺦ ﺑﻪ اﯾﻦ ﭘﺮﺳﺶ اﺳﺖ ﮐﻪ ﻣﺤﻤﺪ ﺑﯿﺎﺑﺎﻧﯽ ﭼﺮا و ﺑﻪ ﭼﻪ ﻣﯿﺰان ﺗﻮاﻧﺴﺘﻪ، اﻗﻠﯿﻢ ﺑﻮﺷﻬﺮ را در ﺷﻌﺮ ﺧﻮد، ﻣﻨﻌﮑﺲ ﻧﻤﺎﯾﺪ. ﻧﺘﺎﯾﺞ ﺑﻪ دﺳﺖ آﻣﺪه ﺣﮑﺎﯾﺖ از اﯾﻦ دارد ﮐﻪ ﺳﻮاي ﺑﻮم ﺳﺮوده ﻫﺎي او، رﻧﮓ اﻗﻠﯿﻤﯽ در ﺗﻤﺎم ﺳﺮوده ﻫﺎي او ﭘﺮرﻧﮓ اﺳﺖ و ﺑﺮﺟﺴﺘﻪ ﺗﺮﯾﻦ وﯾﮋﮔﯽ زﺑﺎﻧﯽ ﺳﺮوده ﻫﺎي او ﭘﺲ از آرﮐﺎﺋﯿﺴﻢ، ﺑﺮﺟﺴﺘﮕﯽ رﻧﮓ اﻗﻠﯿﻢ و ﻃﺒﯿﻌﺖ ﺑﻮﺷﻬﺮ اﺳﺖ ﮐﻪ ﻧﺸﺎن از دﻟﺒﺴﺘﮕﯽ، ﻋﻼﻗﻪ و اﻧﺲ ﺷﺎﻋﺮ ﺑﻪ زﯾﺴﺖ ﺑﻮم و ﻓﺮﻫﻨﮓ ﮐﻬﻦ ﺳﺮزﻣﯿﻦ ﺧﻮد دارد.

The poet Mohammad Biabanizadeh is from the southern climate. A climate that has sided with the sea and the land and is inextricably linked to the scorching heat. He was born in Bushehr and spent his childhood in the same city. The living environment and natural climate seem to have an ineffective effect on Asnan. Which examine these effects in the works of poets and writers under the title of climatic or local color. Local color or climatic character is a term that expresses these effects in the poetry of poets. It is with nature that in contemporary Iranian poetry, it first appeared in Nima's poetry and then in the poems of poets after him, it was noticed and welcomed. This research seeks to answer the question of why and to what extent Mohammad Biabani was able to reflect the southern climate in his poetry through the method of analytical-descriptive library study. an‎d the results indicate that besides Boom His poems are full of climatic colors in all of his poems and the most prominent linguistic feature of his poems after Vazgani Archaism is the prominence of the color of climate and southern nature and his fondness and interest in his ecology .