ﺑﺮرﺳﯽ و ﺗﺤﻠﯿﻞ ﺗﻠﻤﯿﺢ در اﺷﻌﺎر ﺻﺎﺋﺐ

Study Andalysis of Allusion in Saeb Tabrizis Poems

ﭼﮑﯿﺪه ﺻﺎﺋﺐ ﺗﺒﺮﯾﺰي ﺑﻪ ﻋﻨﻮان ﻧﻤﺎﯾﻨﺪة ﺳﺒﮑﯽ ﮐﻪ ﺑﻪ ﺗﺎزه ﮔﻮﯾﯽ و ﻃﺮز ﻧﻮ و اﺑﺘﮑﺎر ﺷﻬﺮت دارد، ﯾﮑﯽ از ﺑﺮﺟﺴﺘﻪ ﺗﺮﯾﻦ ﺷﺎﻋﺮان ﻏﺰل ﮔﻮي اﯾﺮان اﺳﺖ ﮐﻪ در ﻣﯿﺎﻧﮥ دو ﺟﺮﯾﺎن اﺻﻠﯽ ﺳﺒﮏ ﻫﻨﺪي ﻗﺮار دارد: از اواﺧﺮ ﻗﺮن دﻫﻢ، ﺷﻌﺮ ﻓﺎرﺳﯽ ﺑﻪ ﺳﻮي ﯾﮏ دﺷﻮاري ﻣﻌﻤﺎﮔﻮﻧﻪ ﭘﯿﺶ ﻣﯽ رود ﮐﻪ ﻏﺎﻟﺐ ﻣﻀﻤﻮن ﻫﺎي ﺷﻌﺮي ﺣﺎﺻﻞ دﺳﺘﮑﺎري ﻫﺎي زﺑﺎﻧﯽ و ﻫﻨﺠﺎرﮔﺮﯾﺰي ﻫﺎﯾﯽ اﺳﺖ ﮐﻪ از رﻫﮕﺬر ﺗﻼش در ﮐﺸﻒ رواﺑﻂ ﺗﺎزه ﺣﺎﺻﻞ ﻣﯽ ﺷﻮد. ﺗﻠﻤﯿﺢ ﯾﮑﯽ از ﺑﺮﺟﺴﺘﻪ ﺗﺮﯾﻦ ﻋﻨﺎﺻﺮ ذوق و ﺧﯿﺎل ﺷﻌﺮي ﺑﻪ ﺷﻤﺎر ﻣﯽ آﯾﺪ. ﺻﺎﺋﺐ ﺑﻪ ﮐﺎرﺑﺮد ﻋﻨﺼﺮ ﺗﻠﻤﯿﺢ در ﮐﻨﺎر ﺳﺎﯾﺮ ﺻﻮر ﺧﯿﺎل و ﻋﻨﺎﺻﺮ ﺗﺼﻮﯾﺮ ﺗﻮﺟﻪ وﯾﮋه اي داﺷﺘﻪ اﺳﺖ. در ﺳﺒﮏ ﻫﻨﺪي ﮐﺎرﺑﺮد ﺗﻠﻤﯿﺢ، ﺑﻪ اﻗﺘﻀﺎي اﺳﻠﻮب وﯾﮋة آن در ﻣﻘﺎﯾﺴﻪ ﺑﺎ ﺳﺎﯾﺮ ﻓﻨﻮن ادﺑﯽ از ﺑﺴﺎﻣﺪ ﺑﺎﻻﯾﯽ ﺑﺮﺧﻮردار اﺳﺖ. در اﯾﻦ ﻣﯿﺎن ﺳﻮداي ﻣﻀﻤﻮن ﺗﺮاﺷﯽ و ﺷﮑﺎر ﻣﻀﻤﻮن ﻫﺎي ﺑﺎرﯾﮏ و ﺣﯿﺮت-اﻧﮕﯿﺰ ﻣﻮﺟﺐ ﻣﯽ ﺷﻮد ﺗﺎ ﺻﺎﺋﺐ ﺑﻪ ﻣﺮاﺗﺐ ﺑﯿﺸﺘﺮ از دﯾﮕﺮان از ﺗﻠﻤﯿﺢ و اﺷﺎرات اﺳﺘﻔﺎده ﮐﻨﺪ. ﺻﺎﺋﺐ اﻏﻠﺐ ﺗﻠﻤﯿﺢ را در ﺣﮑﻢ اﺑﺰاري ﺑﺮاي آﻓﺮﯾﻨﺶ ﻣﻀﻤﻮن ﻫﺎي ﺧﻮد ﻓﺎرغ از ﻫﺮﮔﻮﻧﻪ ﻋﻤﻖ و اﯾﺪه و اﻧﺪﯾﺸﮥ واﻻي اﻧﺴﺎﻧﯽ، در ﻗﺒﺎل ﻣﻮﺿﻮﻋﺎت ﮔﻮﻧﺎﮔﻮن ﺧﺼﻮﺻﺎً ﻧﻈﺎم ﻫﺴﺘﯽ ﺷﻨﺎﺳﯽ ﺑﻪ ﮐﺎر ﻣﯽ ﺑﺮد.

Saeb tabrizi as a representative of a style that is known for it’s novelty,new style and innovation, is one of the most prominent lyrics poets in Iran,which is located between two main currents of the Indian style: from the end of the tenth century Persian poetry to an enigmatic difficulty. It turns out of the most poetic themes are the result of linguistic manipulation and aberrations that are achieved through trying to discover new relationship. Hint, like other literary industries, can play a prominent role in arousing emotions and the inductive and imaginative power of speech, provided that it enjoys strong artistic themes. In the Indian style, the use of allusion has a high frequency compared to other literary techniques due to its special style. In the meanwhile, the longing for themes and the hunting of narrow and astonishing themes cause Saeb to use allusions and gestures far more than others. Saeb often uses allusion as a tool to create his themes, regardless of any depth and high human ideas and thoughts, for various subjects, especially the ontological system .