فضاسازي شاعرانه در دو مجموعه شعر موسوي گرمارودي (تا محراب آن دو ابرو و برآشفتن گيسوي تاك)

Poetic atmosphere in two collections of poems by Mousavi Garmaroudi

با پيروزي انقلاب اسلامي ايران و تأثيرات سياسي و اجتماعي آن بر جامعه، در زمينه‌ي شعر و ادب نيز تغييرات و تحولاتي شكل گرفت و جريان انقلاب و حادثۀ بزرگ بعد از آن يعني دفاع مقدس، حال و هواي تازه‌اي را در شعر به وجود آوردند. شاعران انقلابي متناسب با فضاهاي جامعه و مضامين، موضوعات و حوادثي كه پيش آمده‌اند، شعر خود را در فضايي خاص و متناسب با اين حال و هوا مي‌سرايند. هدف اين مقاله بررسي فضاسازي در شعر موسوي گرمارودي، از شاعران شاخص انقلاب است كه براي اين مقصود مجموعه‌هاي او بر اساس سير فضاهاي شعري و مؤلفه‌هايي كه باعث شكل‌گيري فضا در شعر او شده، مورد بررسي واقع شده و نشان داده از مهم‌ترين دلايل طراوت و پويايي و اثرگذاري اشعار او فضاهاي متنوع آن است؛ به گونه‌اي كه گرمارودي در برخي دفترهاي خود كه به يك موضوع مانند اشعار آييني پرداخته، تنوع فضا مانع يكنواختي اشعار وي شده است. او براي خلق فضاي شعر خود از عناصري مانند توصيف، تناسب معنايي و لفظي واژگان، تلميحات و نماد بهره برده و توانسته است به‌خصوص در اشعار آزاد از تلفيق اين عناصر فضاهاي منسجمي بر شعر خويش بگستراند كه در نهايت اين فضاسازي موجب تجسم عيني تجربه و افزايش نيرو در القاي عاطفه و معنا در مخاطب شده است.

With the victory of the Islamic Revolution of Iran and its political and social effects on society, changes were also made in the field of poetry and literature, and the course of the revolution and its subsequent great event, the sacred defense, created a new mood in poetry. Revolutionary poets Making their poetry to a specific space appropriate to the mood of the day, according to the context of society and the themes, themes and events that have taken place. The purpose of this article is to study the Circumstancing in the poetry of Mousavi Garmaroudi, one of the prominent poets of the revolution. For this purpose, his collections have been studied based on the course of poetic spaces and the elements that have shaped the space in his poetry, and have shown the most important reasons for the freshness and dynamism. an‎d the effect of his poetry is its different spaces; Thus, in some of his books dealing with a subject such as Ritual poetry, Garmaroodi has obstructed the uniformity of his poetry. He has used elements such as description, semantic and literal rhetoric, vocabulary, implicit and symbol to create the space of his poetry, and has been able, in his free poems, to extend the integration of these elements into a coherent space in his poetry, which ultimately enhances the objective visualization of experience and enhancement. Force has been on the audience to instill emotion and meaning.